Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Monday, July 08, 2024

Album review: Sarah Hanahan - Among Giants (Blue Engine Records)

Sarah Hanahan (alto sax); Marc Cary (piano); Nat Reeves (bass); Jeff "Tain" Watts (drums); Bobby Allende (perc. tks 1,4,5,8)

A promising debut album from a graduate of the Jackie McLean Institute of Jazz at the University of Hartford's Hartt School of Music who has toured with names such as Dee Dee Bridgewater, Joe Farnsworth and the Mingus Big Band.

Among Giants is described as a passionate declaration of Hanahan's dedication to pushing the music forward while also honouring the past. Admirable intentions which I think she may well fulfil albeit these things do take time.

Certainly her technique is up to the task. Soaring up and beyond Adolph Sax's proscribed range for the alto saxophone, these days high f# seems to be the starting point and the piccolo players have taken to wearing safety helmets, Hanahan's solos sound as logical 'up there' as they do on terra-firma.

Nevertheless, for sheer beauty, the less outré take on the standards A House is Not a Home and Stardust would have been rewarded with a nod of approval from their respective composers, Burt Bacharach and Hoagy Carmichael, and deservedly so.

Ferde Grofé's On the Trail from his Grand Canyon Suite is a number rarely played by jazz musicians these days and it was good to hear this version. Good? It's outstanding and then some!

Coltrane's Welcome initially got a qualified welcome from me. However, a second hearing after the neighbours had gone down to the pub and the volume was turned up helped me get into it a bit more. The jury's still out though.

The four originals: Resonance; NATO; Honey and We Bop capture her avowed intent and the 'in the pocket' rhythm section (dig Watts' solo on We Bop) add to the overall groove making this an album that demands to be checked out. Lance

1 comment :

Russell said...

Catch Sarah Hanahan with Joe Farnsworth on Wednesday 10 July (The Yard, Manchester) & Sunday 14 July (Ronnie Scott's)!

Blog Archive