Jacob Lightfoot, Max Storey, Crissi Booth, Lucy McCartan,
Brian Wicks (reeds); Billy Bradshaw, Sam Armstrong, James Bateman, Andrew
Marshall (trumpets); Alex Utting, Bertie Marks, Josh Scott, Ciaran Skipper (trombones), Conor
Polley (bass trombone, vocals); Ben Davies (guitar); Marcus Dawe (keyboards); Ifede Osiyemi (bass guitar); Dan Arenstein (drums)
A Newcastle Fringe event, a late Friday evening gig, doors open to the elements, there was every chance the Bold Big Band would be heard loud and clear across the Tyne to Gateshead and beyond. As we were on the premises of the Northern Alchemy Brewery the pick had to be In Orbit (4.5%), described as a 'classic winter session stout'. Minutes before the down beat members of the band were busy 'socialising'...hic!
Magic Flea opened the show in typical barnstorming Bold Big Band fashion. Backrow Politics maintained the momentum, the ace trumpet section attempting to blow the roof off the place. From Sammy Nestico and Gordon Goodwin to Hank Levy's arrangement for the Kenton band of Time for a Change, if you're at a BBB gig this is what you get, a full on big band sound.
The Simpsons (arr. Les Hooper) featured a rare baritone sax solo from the man himself, MD Brian Wicks, Benny Golson's Whisper Not (arr. Michael Abene) featured the tenors Crissi Booth and Lucy McCartan, Tom Kubis' quirky arrangement of Alexander's Ragtime Band trained the spotlight on the soon-to-depart Ben Davies (guitar). Bass trombone man Conor Polley stepped out of the section to sing a couple - Cry Me a River (bold delivery, Bold Big Band delivery!) and, to much whooping and hollering, That's Life.
The BBB's scheduled one hour set extended to the best part of an hour and a half, hey, they were having fun! MD Wicks name-checked the band, taking care to note the imminent departure of three members of the band - James Bateman (trumpet) is off to Canada, drummer Dan Arenstein is heading to Australia and the aforementioned Ben Davies has landed a cruise ship job. Time for one more (a deserved encore), a rip-roaring take on The Incredibles. Russell
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