Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Friday, July 19, 2024

Theo Croker @ the Glasshouse, Gateshead - July 18

Theo Croker (trumpet, vocals, electronics);  Mike King (keys/piano); Eric Wheeler (bass); Jaylen Petinaud (drums)

It was with a sense of trepidation that I approached the entrance to Sage Two at the Glasshouse. The prophets of doom had warned me that it would be beyond my comprehension. 

Age-wise it was a more varied audience than usually turns up at a jazz gig and my antiquity showed when I presented a paper ticket as opposed to my phone. The word Luddite sprung to mind as I sheepishly made my way in.

The audience knew what they were here for and whooped and hollered before a note had been blown in anger. I, Luddite that I am, allowed myself a polite hand-clap.

The music began and I sat bemused as Croker played a few long notes then twiddled some knobs on a forbidding looking array of electronic devices. This first five minutes seemed like an hour and then, AND THEN! It suddenly erupted when King took the Steinway, the Nord and the Rhodes to the cleaners and back. This guy was playing more piano than I'd heard from any ten other pianists combined. Petinaud on drums was soloing even when he wasn't soloing inspiring Croker to leave the toy box and blow the best trumpet solo I'd heard since hearing Roy Hargrove all those years ago. On bass, Wheeler kept it all together. His day would come in the second set.

The bells and whistles hadn't disappeared but they were now an integral part of the performance as opposed to their initial irritation.

The second set opened with a long and rather beautiful bass solo. Croker, now my favourite trumpet player (sorry Wynton), like most American jazzers also had a good line in patter as well as in picking tune titles. He described I Really Want You to Stay Overnight But I've Only Got One Pillow as a love song. Maybe it was but it didn't come out of Tin Pan Alley or the Brill Building.

When the room was burning and the flames were getting higher it crossed my mind that perhaps Miles had been reincarnated. Whatever, this was one of the most memorable gigs I've witnessed. I went in with misgivings and left with only givings. A whole truckload of them and all gratefully received. Lance

PS: For the vociferously demanded encore, he sang Never Let Me Go - very appropriate.

1 comment :

Jen said...

What a great write-up Lance. Your enthusiasm is infectious. Sounds like a really memorable evening. Sorry I couldn't be there.
Jen

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