Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Tuesday, July 30, 2024

Album review: Kurt Rosenwinkel - The Next Step Band, Live at Smalls 1996 (Heartcore HCR28)

Kurt Rosenwinkel (guitar, piano on tk 6); Mark Turner (tenor sax); Ben Street (bass); Jeff Ballard (drums) + Brad Mehldau (piano on tk 3); ? (voice on tk 5)

Recorded live at Smalls Jazz Club in NYC back in 1996 the blurb describes it as an unforgettable performance that bears witness to the birth of a new musical era as Rosenwinkel and his ensemble deliver six dynamic compositions that would later shape the landscape of modern jazz.

Well they would say that wouldn't they? They, the writers, would be looking for alternative employment if they didn't. However, on this occasion I don't think anyone was holding a gun to their head. Judging by the applause the audience agreed with the appraisal. It is all that and more.

To my shame I've never heard Kurt Rosenwinkel live - I missed him at Sage Gateshead (as the Glasshouse was known in 2019) but Russell's review HERE suggests that his steps were keeping apace with jazz's ever-evolving advancement.

Rosenwinkel on this album proves he needs answer to no one just as he did on a 2012 duo album with Geri Allen reviewed earlier this year HERE.

Yes, he's certainly a fine guitarist but, he also plays mighty fine piano as proved on The Next Step. A rockolling, rollocking  opus that, in a larger venue, would have had the patrons of Smalls boogieing all night long. Mark Turner, needless to say, is as ever at the front of  le avante garde peloton yet even his most outré solos manage to keep within the bounds of sanity - just!

Whether soloing or driving the band Ballard is the man behind the wheel with Street the navigator negotiating the harmonic map. No 'Rhythm Changes' here.

Brad Mehldau pops in for a jam on Zhivago which adds an additional colour. Listen in colour seems to be one of the buzz-phrases of the moment. Anyone know what it means?

A Life Unfolds is perhaps my favourite track, it is also the most confusing. There is no voice listed on the info I received yet there is undoubtedly a wordless vocal on this track. Is it some electronic trickery (in 1996) or am I colourblind?

Whatever the answer this is still one of better historical issues and a must have for, well let's say, for anyone who appreciates good music of whatever shade. Lance

A Shifting Design; Use of Light; Zhivago; Alpha Mega; A Life Unfolds; The Next Step.

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