Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Monday, March 18, 2024

Sunday night @ the Globe: Luis Verde Trio - March 17

(© Ken Drew)
Luis Verde (alto sax); John Pope (bass); Abbie Finn (drums)

Over the years I've been in the presence of greatness. Sometimes by musicians reliving past glories as well as others who were on the cusp of it.

Most of these greats were American, some British, but, apart from that wonderful pianist, the late Tete Montoliu who I heard at the San Sebastian Jazz Festival back in the early nineteen seventies, I can't think of any other Spanish jazzmen of such eminence.

Until last night that is.

Luis Verde had already built up a following from his occasional sit-ins at the Black Swan jams and those knowing coves headed towards the Globe irrespective of any public transport problems or shillelagh brandishing celebrators of St Patrick's Day. 

They were well rewarded for their efforts. The Selmer Mark VI alto wasn't a mere saxophone, it was part of him, rather like those people who are born with six fingers on each hand and, as he blew the complex Monkish changes, maybe he did have some extra fingers.

(© Ken Drew)
Of course, behind any icon there are also those approaching iconic status themselves and John Pope and Abbie Finn ensured that their names too will soon be carved in stone. Pope is one of those players who refutes the opinion that bass solos are boring. They're not whilst he's in the engine room. He plays solos that many a horn player would envy whilst adding his own distinctive voice to the ensemble. Abbie too is rapidly becoming a first call player coping brilliantly with the changes of mood and tempo demanded by the virtuoso saxophonist.

From the opening unaccompanied cadenza to the fun based singalong that closed the show the crowded room sat in hushed reverence (apart from the singalong) the silence only broken by the thunderous applause after solos and, of course, the often gentle concluding notes. 

The material was a mix of Monk numbers including We See, Epistrophy, Evidence, Well You Needn't and Ruby my Dear as well as a few originals.

This was truly a night to remember and if you missed it don't worry you can catch Luis next Sunday afternoon at Queen's Hall, Hexham for a 3:00pm start. Lance
at

1 comment :

Ron Ainsborough said...

What a gig last.night! We are very lucky to have such a virtuoso as Luis in the north east.
One of the best gigs I've been to.

Monday, March 18, 2024 5:31:00 pm

Post a Comment

Subscribe to: Post Comments ( Atom )

Blog Archive