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| (© Jeff Pritchard) |
The Sunday night audience was a bit noisier than usual due to a few revellers celebrating St Patrick's day but it did not seem to bother Freddie who just keeps the bebop flame burning with his hard driving brand of modern jazz. There were lots of interesting numbers played by this excellent quartet including a tune called Little Bea’s Poem which was a flute feature for reed maestro Jim Collins who impressed me with his full sound achieved without the use of a mic. Who wrote this tune? I think it may be Woody Shaw but I could be wrong.
There were plenty of interesting moments during the evening including Sonny Stitt’s wonderful up-tempo flagwaver The Eternal Triangle, Jim Collins really firing on all cylinders during his solo. You don’t hear many local combos tackle this one, it’s a real fingerbuster! I also like Jim’s alto playing on the ballad When Sunny Gets Blue that reminded me of jam sessions back in the day and Charlie Parker was the main influence. Another number I thought went down well was the Latin flavoured Catalonian Nights often attributed to Dexter Gordon but composed by Tete Montolui. The final tune was Four and this contained some nifty drumming from Phil Bennett and agile bass work from James Adolpho. Well done all involved.
There isn't any jazz on March 19 but on Sunday March 24 it will be guitarist Tom Ramon’s quartet featuring American guitarist Sid Jacobs.
Joy Spring; Jeaninne; Little Bea’s Poem; Softly as in a Morning Sunrise; When Sunny Gets Blue; Eternal Triangle; I Mean You; Time After Time; You Don’t Know What Love Is; Catalonian Nights; Four.
1 comment :
We'll be seeing guitar stars Sid Jacobs and Tom Ramon in Newcastle upon Tyne very soon as well. Sunday 31 March in that great little venue, the Prohibition Cabaret Bar - at 7pm ...... get there early to grab a seat!
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