Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, July 25, 2023

Album review: Johnathan Blake's Pentad - Passage

Johnathan Blake (drums); Immanuel Wilkins (alto sax); Joel Ross (vibes); David Virelles (piano);  Dezron Douglas (bass)

Drummer/composer Blake's Pentad follow up their previous Blue Note album, Homeward Bound, with Passage, an album dedicated to the life and legacy of Johnathan Blake's father, jazz violinist John Blake Jr.

An album of well-constructed heads played by five musicians working as one. 

Wilkins, who has just hit the top spot in the alto sax section of the DB Critics Poll*, wails in the best  contemporary Blue Note tradition. Fast-fingered flights of fantasy contrasting with melancholic emotion on slower numbers such as Tears I Cannot Hide, a tune composed by drummer Ralph Peterson Jr. Blake's mentor.

Joel Ross, one of today's front runners on vibes stays ahead of that particular pack with fine solos built upon the legacy of Milt Jackson. Douglas composed and soloed on the introduction to A Slight Taste. Ross and Wilkins also have a not so slight taste on this one.

Virelles forté seems to be Latin jazz so I'm guessing he composed Tiempos (the press release is somewhat vague as to who composed what).

As for Blake, by a process of elimination I've worked out that he was responsible for: Lament For Lo; Muna and Johna's Playtime; Groundhog Day; Out of Sight, Out of Mind and  West Berkely St. All fine compositions solidly and sympathetically backed up by Blake's drumming.

From day one, all those years ago, Blue Note stood for quality. Changes of ownership, new directions, notwithstanding, it still does. Lance

Available August 11.

(Note from press release): Passage presents the quintet at an elevated level of consciousness and artistry. A celebration of life and longing, the album pays tribute to those who have touched Blake’s life and shaped his music. And the best way for Blake to honor their spirits and preserve their legacy is to cultivate an interconnectedness among listeners and his fellow artists: “This record really shows the level of trust we’ve achieved together. Pentad is a brotherhood — five entities coming together to form one sound.

*Wilkins also won in the Rising Star Jazz Group and Composer categories. 

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