Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18992 (and counting) posts since we started blogging 18 years ago. 856 of them this year alone and, so far this month (Oct. 11) 35.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Sunday, July 23, 2023

A (confused) guide to buying a sax.

So, you want to buy a sax (or any instrument)? Well, back in that real world we once lived in, all you had to do was go in to your local music store where knowledgeable staff would demonstrate several instruments, explain differences, offer HP/trial schemes and that was that except that, as the internet emerged from its murky waters, after wasting your time, they would then order online only to find the instrument, upon arrival, had been either damaged in transit or needed some tweaking which you, Joe Muggins, was expected to do.

However, that is by the by, the trick is to decide what instrument, in this case saxophone, you want in the first place.

A good idea (one might think) is to trawl the pages of music mags such as DownBeat - they know about these things.

The July issue revealed that Gerald Albright plays a Cannonball alto. Wow! it must be something. Gonna get me one.

I turn the page and discover that Eastman are introducing 'the Ultimate 52nd Street Sound'. It also has the 'precision of DS Mechanism'! Not only that, Bob Mintzer of the Yellow Jackets collaborated in the design. Must have that one although I'll pass on the colour of the jacket.

So far so good. Then, several pages on, it's all blown apart with a review of the 2023 NAMM show.

This is the trade fair of the music industry. I haven't been there but I know a man who has.

All bets are off!

Eastman, needless to say are represented and the horn that caught the DB reviewer's eye was their 'Revamped 52nd Street Bari' described as 'coming unlacquered for a vintage appearance'. I mean would you buy a new car that needed a paint job? Although you could, possibly, con someone into believing the sax had once belonged to Gerry Mulligan or Harry Carney should you decide to pass it on. However, it does have a case with wheels.

P.Mauriat offer saxes that have Kirk Whalum black necks, a stable low register, omni-directional sound and a superior aesthetic design. 

Victory Musical Instruments' 'Major Revelation' series provides players with 'an ergonomic design'.

To sum up, to find your perfect instrument you need to discover one that has:

a) DS Mechanism

b) Unlacquered for a vintage appearance

c) A case with two wheels

d) Kirk Whalum black necks, a stable low register, omni-directional sound and a superior aesthetic design

e) An ergonomic design

f) Endorsed by Gerald Albright or Bob Mintzer

g) (Best) One that has been recommended by a local sax player - providing he hasn't got one for sale! 

Reeds and mouthpieces will be covered in a future post. Lance

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