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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17655 (and counting) posts since we started blogging 17 years ago. 929 of them this year alone and, so far, 74 this month (Dec. 31).

From This Moment On ...

January 2025

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jason Isaacs @ St James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Sat 04: Jason Isaacs @ STACK, Exchange Square, Middlesbrough. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 04: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £5.00. Xmas party (rescheduled from early December).

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 05: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Americana, jazz & blues.
Sun 05: Papa G’s Troves @ The Globe, Newcastle. 8:00pm. Free (donations).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: John H Hammond.
Thu 09: FILM: Soundtrack to a Coup D’Etat @ Tyneside Cinema, Newcastle. 2:35pm. Documentary (dir. Johan Grimonprez) ‘about jazz, (de)colonial history and activism featuring Louis Armstrong, Nina Simone and Dizzy Gillespie’.
Thu 09: Happy Tuesdays @ Ye Olde Cross, Ryton. 7:30pm. Free.
Thu 09: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, January 01, 2022

To Scat Or Not To Scat, That Is the Question

Scatting is an issue that all jazz singers must deal with, even if your singing, like mine, is confined to the occasional jam session or workshop. It's not compulsory as some people suppose – the great Billie Holiday never scatted.

Before I joined the jazz world I hated scat and couldn't understand why it was done. People said it was so you could sound like an instrument and improvise along with the instrumentalists, or a chance to show off vocal skills, or to add entertainment value to your singing.

I used to find it very irritating but as I got more involved in jazz I liked it a bit more. Nowadays I'd say that it's great if done well but best avoided otherwise. I usually avoid it. I prefer to play with the actual lyrics of the song, or simply sing the tune without words. There's no way I could imitate the sound of, say, a tenor sax, and I've never ever heard a singer who could.

I'll rest my case there, and it's up to other singers to decide for themselves. But bear in mind the performance I've just listened to -  Ella scatting on the recording of How High The Moon. Now that's how it should be done!

Ella firstly lulls listeners into a false sense of security by singing through the song, before the fireworks begin. Then she proceeds to make fun of herself by claiming that she's forgotten the words, sings apparent nonsense with skilled improvisation, plays with the tune, does a quite scary deep voice accompanied by light drumming, references a Beatles song, says she hopes she's singing in tune, changes the lyrics to 'sweat gets in your eyes' as she wipes away the sweat, and ends on a high note, literally.

 A very skilled tour de force, full of humour. I don't know how she manages to get back to the original tune after loads of improvisation. If you want to learn about scat, listen to that track.  Ann Alex

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