Bebop Spoken There

Warne Marsh: "At some point, you have to be prepared to create—to perform. It's vital, man, if we're talking about jazz, the original jazz, the performing art. It fulfils its meaning only when you play it live in front of an audience." DownBeat January 1983.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18191 (and counting) posts since we started blogging 17 years ago. 45 of them this year alone and, so far this month (Jan. 14), 45

From This Moment On ...

JANUARY 2026

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Fri 16: Giles Strong Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Darlington Big Band @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 16: Leeds City Stompers @ Billy Bootleggers, Newcastle. 9:00pm. Free.

Sat 17: Homer’s Lane + John Garner & John Pope @ St John’s Church, Riding Mill. 2:00-4:00pm. Free. Gabriele Heller’s audio play + Garner & Pope.
Sat 17: Martyn Roper @ Billy Bootleggers, Newcastle. 5:00pm. Free. Roper’s ‘One Man Blues Band’.
Sat 17: Ray Stubbs R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.
Sat 17: Alexia Gardner Trio @ FIKA Art Gallery, Morpeth. 7:00pm (6:30pm doors). Gardner, Alan Law & Jude Murphy.

Sun 18: Louis Louis Louis @ The Cluny, Newcastle. 2:00pm (doors). £15.00. Swing, jump jive, rhythm & blues. Fundraiser for St Oswald’s Hospice.
Sun 18: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Rod Sinclair.
Sun 18: Glenn Miller Orchestra UK @ The Glasshouse, Gateshead. 3:00pm.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Herdman-Strong Quartet @ The Globe, Newcastle. 8:00pm.

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Joe Deans.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, September 27, 2021

Earl Okin @ Ronnie Scott's - Sept. 26

Earl Okin (guitar, piano, vocals); Paul Morgan (double bass); Michèle Drees (drums, guitar, vocals)

Earl Okin is a singular talent. Musician, raconteur, wit, Okin performs on the international concert stage and comedy club circuit. This lunchtime engagement at Ronnie Scott's found him working with bassist Paul Morgan and drummer Michèle Drees. 

A near capacity audience - jazz fans, jazz fans with a sense of humour, luncheon types, others with nothing better to do - listened, laughed, laughed and listened to a master performer at work. James P Johnson's If I Could Be With You (One Hour Tonight) opened the show. Self-deprecation is a big part of Okin's stage persona: a would be, if not unlikely Casanova, a story teller. Peer behind the the facade and you'll discover a musician of not inconsiderable talent.  

This being Ronnie's, with Morgan and Drees on board, it had to be 'jazz', and it was, although the humour was never more than a semi-quaver from Okin's crafted vocal delivery and between-tunes patter. Okin quipped the only was he could get into a trio like this was to lead it! Corcovado then When I Fall in Love met with the approval of an attentive full house. Bossa nova is a big part of Okin's set, he likes the form and with Drees on the gig treated the material with due reverence. Drummer Michèle Drees, herself a bossa specialist, sang in Portuguese during a spotlight guitar-vocal feature. Paul Morgan's feature spot heard the bassist play a solo version of In a Sentimental Mood. Bass players throughout the land would love to possess such technique. Quite wonderful!

Okin played some ragtime and some stride, playing Black Beauty by, our man said: My hero (Duke Ellington). Reminiscing in Tempo by way of Mel Tormé, a fun, alternate take on One for My Baby sung, believe it or not, at precisely a quarter to three! Okin held the audience in the palm of his hand. To close a marvellous afternoon here at Ronnie Scott's, Earl Okin won huge applause singing a song (to the tune My Way) about the many duff pianos musicians encounter on their travels...I Want a Steinway! - Russell     
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