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HOWAY THE LADS!

Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17873 (and counting) posts since we started blogging 17 years ago. 194 of them this year alone and, so far, 41 this month (March 14).

From This Moment On ...

MARCH 2025.

Sun 16: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Sun 16: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Pearl Blossoms @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Ragtime.
Sun 16: Hot 8 Brass Band @ Wylam Brewery. 7:30pm. ‘Big Tuba Tour’.
Sun 16: ARQ @ The Globe, Newcastle. 8:00pm.
Sun 16: Air4ce @ The Cluny, Newcastle. 8:30pm (8:00pm doors). £12.00.; £10.00. Tom Atkinson’s all-star band (line-up inc. Lindsay Hannon & Sue Ferris).
Sun 16: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: Jamie Toms Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Laurence Harrison, Paul Grainger, Tim Johnston.
Tue 18: Phil Bancroft’s Beautiful Storm @ The Cluny, Newcastle. 8:00pm. £13.20 & £11.00.. A JNE-Gem Arts co-promotion.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Nicknames.
Thu 20: Terri Green Experience @ Pilgrim, Newcastle. 7:30pm. £15.90.
Thu 20: Lindsay Hannon Trio @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Hannon’s ‘Tom Waits for No Man’ set.
Thu 20: Ray Stubbs R&B All Stars @ Mill Tavern, Hebburn. 8:30pm. Free.

Fri 21: Paul Skerritt @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Giles Strong Quartet @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 21: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. Featuring special guest Martin Litton (piano).

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Swamp Stomp String Band @ The White Room, Stanley. 7:45pm.
Sat 22: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: The Great Deceivers @ The Globe, Newcastle. 8:00pm. Tom Atkinson & co play King Crimson (1969-1974). Atkinson (guitar); Josh Bentham (alto sax); Stu Dawson (bass); Jeff Armstrong (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, July 26, 2021

Nishla Smith Quintet & The Tenement Jazz Band @ The Globe Summer Festival - July 25

(Screenshot by Ken Drew)
Nishla Smith (vocals); Aaron Wood (trumpet); Richard Jones (piano);  Joshua Cavanagh-Brierley (bass); Johnny Hunter (drums).

It was almost three years to the day - give or take a couple of weeks - when I first heard Nishla. It was in the old Jazz Café, now the Prohibition Bar, at one of the legendary Tuesday night jams.

Since then, apart from an occasional return to the area, Nishla is now firmly established on the Manchester jazz scene and the choice of her quintet proved to be a fitting finale to The Globe/Jazz Co-op's innovative Summer Festival that crossed the genres and set down the ground-lines for what, hopefully, next year will be even better - tough call!

(Collage by Ken Drew)
Nishla looked great (green is now my favourite colour) and sounded fantastic in a set that had a balanced mix of originals and standards. On the latter numbers, and this is a compliment, there were moments - just the occasional phrase - when I felt that, had Billie Holiday been born in Australia, she may have sounded not unlike Nishla.

Most of the band were familiar faces. Johnny Hunter frequently turns up on JNE gigs (of which this was one) either with bro Ant, John Pope or various bands of his own.

Bassist Joshua Brierley-King currently has an album out which has been enthusiastically reviewed by our Man in Manchester, Mike Farmer and our Man in Morpeth, Dave Sayer. He lived up to their kind words.

Aaron Wood is a new name to me. A trumpet player with that rare quality (these days) of combining lyricism with fire. Remember the name, in years to come you'll be able to say "I was there" whether you were or not!

Richard Jones, no relation to pianist Richard M. Jones of whom legend has it that King Oliver  once said to him "Beat it out in Bb Jonesy" before standing at the door of a "sporting house" in New Orleans and blowing a 12 bar to woo the deserters back to the fold. If tonight's Jonesy had been playing, they wouldn't have left in the first place. 

Friends; Starlight; Blue Dreams; It Might as Well be Spring; Julian; You'd be so Nice to Come Home To; Comes Love; Home; Up.

(Photo by Russell)
Charles 'Chuck' Dearness (trumpet); Lachlan Fotheringham (clarinet, soprano sax); Paddy Darley (trombone); John Youngs (banjo, guitar, vocals); Rory Clark (sousaphone).

Earlier, by way of a contrast, we had a robustly entertaining set by the Tenement Jazz Band from Edinburgh - surely the best 1920s' style band in the whole of the UK and that's the rub. Jazz being, even in this day and age, still very much a partisan thing, one questions the wisdom of a double bill featuring two bands from such opposing ends of the spectrum and I suspect the somewhat select turn out may have deterred the die hards from turning out which is a shame as they missed what was a fantastic two sets from two totally different bands.

There used to be a record label called Good Time Jazz and that is also an apt description of the music played by the band from Rebusland.

They're a sitting down band which enabled me to observe their foot tapping idiosyncrasies. Youngs, Dearness and Fotheringham were mainly southpaws whilst Clark was more ambidextrous with his feet,  stomping on the off beat with his right foot in a sort of syncopated two-step. Trombonist Darley, who appeared to be wearing odd sox, was only an occasional activator of his digital extremities and then, only when the creative juices were flowing from the other end of his body. His Ory-like glissandi would have been a credit to  the Kid himself.  

Just as Aaron Wood would do later with Nishla, so did Chuck Dearness in this set - wax lyrical that is - with a hint of Red Nichols meets Red Allen in his Bixian approach.

Doctor Jazz Fotheringham is always on call when the Tenements are in town and tonight he excelled on clarinet and on soprano.

Clark, making his debut with the band added colour to the gig, not just with his matching yellow sox but with his agility on the sousaphone.

Youngs aided and abetted him in the rhythm section and had a good line in patter between numbers.

Dave Holland's quote could easily have been applied to this set: "I've always enjoyed the joyousness of that music [traditional jazz], and the sound of everybody fitting together beautifully, improvising together." Jazzwise, August 2021. Lance

Dusty Rag; Canal St. Blues; South; Milenberg Joys; Meat on the Table; Chocolate Avenue; She's Cryin' For Me; Blue Drag; Weary Blues; You May Leave But This'll Bring You Back; Bogalusa Strut.

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