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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17421 (and counting) posts since we started blogging 16 years ago. 695 of them this year alone and, so far, 100 this month (Sept. 30).

From This Moment On ...

October

Thu 03: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 03: Maggie Nicols & Tim Dalling: Practices of Freedom workshop @ The Tute, Ridley Terrace, Cambois NE24 1QS. 7:30pm. Free. Book at: www.eventbrite.com.
Thu 03: Alcyona Mick + Juliana Day @ Gosforth Civic Theatre, Newcastle. 8:00pm. £12.00. & £10.00. + bf. NFOJIM (Newcastle Festival of Jazz & Improvised Music) in assoc. w. Northern Silents & JNE.
Thu 03: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 03: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Guest band night w. '58 Jazz Collective led by trumpeter Kevin Eland with Paul Donnelly (guitar); Donna Hewitt (saxes); Dave Archbold (keys); John Daniel (bass); Alex Cromarty (drums); Darren Moore (percussion) + JAN SPENCELAYH!. Free.

Fri 04: Satoko Fujii @ The Lit & Phil, Newcastle. 1:00pm. £8.00. NFOJIM in assoc. w. JNE & Lit & Phil.
Fri 04: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 04: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 04: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 04: Amirtha Kidambi w. Manon McCoy @ The Lit & Phil, Newcastle. 6:20pm. £8.00. + bf. NFOJIM in assoc. w. Gem Arts, JNE & Lit & Phil.
Fri 04: Ziv Taubenfeld/Olie Brice/Kresten Osgood + Andy Champion + Izumi Kimura & Gerry
Hemingway @ The Lit & Phil, Newcastle. 7:20pm. £10.00. + bf. NFOJIM in assoc. w. JNE & Lit & Phil.
Fri 04: Maggie Nicols & Tim Dalling: As I Sing & Breathe @ The Tute, Ridley Terrace, Cambois NE24 1QS. 7:30pm. Free. Tickets: www.eventbrite.com. ‘Songs & Improvisations’ - Nicols, Dalling & guests.
Fri 04: Jeremy McMurray & the Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm.
Fri 04: John Rowland Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 05: Maggie Nicols & Tim Dalling: Musical Boxing Training @ The Tute, Ridley Terrace, Cambois NE24 1QS. 2:30pm. Free. Tickets: www.eventbrite.com. ‘A workshop for musical improvisers’. An event in a boxing ring!
Sat 05: Lewis Watson Quartet @ Wylam Village Institute, Church Road, Wylam NE41 8AP. Doors 7:00pm. Tickets £15.00. + £1.50. bf, available from: www.gigantic.com.
Sat 05: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 05: Bright Street Big Band @ Washington Arts Centre. From 7:00pm. £12.00. Bright Street Big Band on stage at 7:30pm, preceded at 7:00pm by a swing dance taster session.
Sat 05: J.A.M. String Collective + Tara Cunningham + The Flame @ The Lit & Phil, Newcastle. 7:20pm. £10.00. + bf. NFOJIM in assoc. w. JNE & Lit & Phil.
Sat 05: Heavy Drunk @ Anarchy Brewery, Newcastle. 7:30pm. £15.00. + £1.50. bf. ‘Mississippi Delta Blues Experience’ feat. Heavy Drunk, Watermelon Slim & Leonardo Giuliani.
Sat 05: Maggie Nicols & Tim Dalling: Musical Boxing Night @ The Tute, Ridley Terrace, Cambois NE24 1QS. 7:30pm. Free. Tickets: www.eventbrite.com. Nicols, Dalling ao. An event in a boxing ring!
Sat 05: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. Free.
Sat 05: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 05: Ian Millar & Dominic Spencer @ Swarland Village Hall NE65 9JG. 8:00pm. £12.00.

Sun 06: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm (12:30pm doors). £7.50.
Sun 06: Luis Verde Quartet @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 06: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 06: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 06: Catriona Bourne Quartet + Heather Ferrier + Emma Johson’s Gravy Boat @ The Globe, Newcastle. 2:00pm. £10.00. + bf. NFOJIM in assoc. w. JNE & The Globe.

Mon 07: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 07: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.

Tue 08: ???

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free. Wed 09: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 09: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. A ‘second Wednesday in the month’ jam session.
Wed 09: Shunya, Dudù Kouate & Seb Rochford @ The Cluny, Newcastle. 8:30pm (7:30pm doors). £21.00.

Thu 10: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 10: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Collaborations - it happened all the time’.
Thu 10: Indigo Jazz Voices w. the Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 10: Side Cafe Orkestar @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 10: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. With guests Donna Hewitt (sax); Bill Watson (trumpet); Graham Thompson (keys); Ron Smith (bass). Free.

Saturday, July 17, 2021

Album review: Matt Ridley - The Antidote

Matt Ridley (bass); Alex Hitchcock (saxes); Ant Law (guitar); Tom Hewson (piano/keys); Marc Michel (drums)

I don’t know why it was this album that set me off waxing philosophically on the nature of the jazz combo and its longevity. The basic bass/drums/keys rhythm section plus frontline looks to have been with us since the big band leaders sat down with their accountants and realised that the personnel budget needed a dose of austerity. That this template has been with us for over 70 years means that any musician who wishes to use it must do so in a way that keeps it fresh; that there’s bite in the old dog still.

So how do you do that? In Matt Ridley’s case you do it with strong compositions and arrangements, a slightly unorthodox line up (guitar instead of a horn) and lots of energy and commitment. The writing includes elements of classical and prog-rock influences, some of the tunes are through compositions whilst others allow more space for improvisation. The second half of the album is a suite that includes a balled, Adagio For The Fallen Stars in memory of the musicians that lost their lives to covid in the last year.

The inclusion of Ant Law on guitar rather than a bit of brass is justified entirely by those moments when his voice rises out of the group mix and takes the tune up several energy levels. This is heard to best effect on Ebb And Flow, which starts with a flurry on the piano, bowed bass and lyrical saxophone and then, at about the five minute mark Law lifts off with a solo that builds to sharp stabbing, long notes, supported by Marc Michel who hits everything at least twice and at great volume.  At other times he performs delicate runs that sit in front of the bass and drums, there but hard to discern, but an obvious part of the whole. The presence of the guitar also allows the band to move seamlessly between jazz and rock.

Yardeville, which follows is a tribute to Jason Yarde and John Turville. It opens with a bass/drums/piano trio over which Hitchcock, then, floats an elegant romantic solo on tenor.

In his interview in the current edition of Jazzwise Ridley describes the cover of Wayne Shorter’s Infant Eyes as “a bit of a breather in the middle of the album.” It closes the opening half of the album and leads into the Suite, for which there is no overall title.

Part I of the Suite, Gautamo, starts off all energy and then breaks down into a Tom Hewson piano solo with the bass digging in behind him. Hitchcock’s solo that follows is borne upon a wave of furious drumming. 

Part III is the Adagio. A quick search gives us Ellis Marsalis, Bucky Pizzarelli, Wayne Rooney, Manu Dibango, Tony Allen and Ron Matthewson, amongst many others who died of covid and other causes last year and this is their ballad to the fallen. It’s mainly a showcase for Hitchcock; elegant sax lines build into something angrier, but some pastoral moments are in there as well.

The closer, Finale, is Part IV of the suite and all the band get an opportunity to solo in front of Michel’s drums. He seems to follow the ‘We never solo, but we always solo’ philosophy from Weather Report,’ and he provides solid support to everyone else’s efforts, exploiting the space that the production on this album allows him. The band come back together for a quick blow before the curtain falls.

If you’re troubled by trying to work out how you keep an old format like the jazz quintet fresh, listen to Matt Ridley, it seems he has the antidote.

There is more information about Matt Ridley and this album HERE on the Ubuntu website and on his own website which is HERE

The Antidote is released on July 23 through all the usual outlets, including Bandcamp.

Dave Sayer

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