Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, July 30, 2021

Album review Barry Altschul’s 3DOM Factor - Long Tall Sunshine

Barry Altschul (drums and cymbals); Jon Irabagon (tenor, soprillo sax, alto clarinet); Joe Fonda (bass).

Well, it’s been a while since I listened to any free jazz so when this one arrived in the post I took my teeth out, sat up straight and prepared to hang on for the ride. And it is a ride, the music is, at times plaintiff and exploratory, at others declamatory and celebratory. The trio is an open, stripped down format that allows every note from all three protagonists to land clearly, especially the drums which cover the spectrum from delicate to explosive.

The opener, Long Tall Sunshine opens with Fonda’s rolling bass for a few bars before Altschul comes out of the traps like a thoroughbred, his work rate making Art Blakey sound like a part-timer. This is ‘free-bop’ a hybrid of free jazz and bebop and works as a teaser/taster for what follows, in that it conditions the palette for the something less rooted in the familiar that follows.

The 3Dom Factor includes a solo from Irabagon tonguing and wrestling with the alto clarinet like he’s trying to bend it round a corner, breathing life into it and sucking the breath back out, making it cry like a baby, all in the space of the closing three minutes.

The shorter Irina is a soulful melancholic lament for the sax over sonorous bass and gently rolling drums, Irabagon responding to his own plaintiff calls.

Be Out S’Cool opens like a fractured waltz with a heavyweight bass solo, Altschul lighter but persistent behind him, before it opens out with Irabagon working the higher register with heavier punctuation from the drummer’s fills and rolls.

The closer, Martin’s Stew, is a furious charge, anchored on the bass, with wailing saxes and overwhelming drumming, Altschul provides so much power, he’s like a jet engine in a VW Beetle. There’s a joyous release at the end of his second drum solo, enough to make you smile. I suspect that this music will make even more sense live.

3dom was formed in 2012, releasing a self-titled album which was followed up by Tales of the Unforeseen in 2015 and Live in Krakow in 2017. Long Tall Sunshine is another live album recorded during a European tour in 2019, though, it seems, nobody wrote down the details of where and when it was recorded, which is, I suppose in keeping with the spirit of the music.

And for those of you who were wondering, the soprillo saxophone is also known as the sopranissimo saxophone. It’s the smallest in the sax family, coming in at about 33cm, including the mouthpiece. You don’t see many of them around.

Long Tall Sunshine is released today (July 30) through most of the usual channels and outlets, though Jeff Bezos is selling it for £28+ when it is available direct from Not Two records HERE for €12. There doesn’t appear to be a group or Barry Altschul personal website but there is a good Facebook page and Wikipedia has a good page showing the extent and breadth of Altschul’s career.

Now, where did I leave my teeth? Dave Sayer

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