Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 23: Tyne Valley Big Band @ Royal Quays Marina, North Shields. 2:00-4:00pm. Free.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free..
Sun 23: Blue Note Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00..
Sun 23: Timmy Allan Quartet @ The Globe, Newcastle. 8:00pm.

Mon 24: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sunday, September 13, 2020

Zoë Gilby Trio @ St James' & St Basil's Church, Newcastle - Sept. 13

Zoë Gilby (vocals); Mark Williams (guitar); Andy Champion (double bass)

Mid September, 20°, clear blue sky, sun shining. It was as if someone had placed an order for an idyllic early autumn day. A capacity, socially distanced audience arrived at St James' and St Basil's Church in Fenham, Newcastle to hear the Zoë Gilby Trio live, in concert for the first time in something like six months. Zoë and the boys - Mark Williams and Andy Champion - played two sets of familiar material, familiar to those who know their standards and APPJAG award-winning vocalist Zoë's original material, much of it written in conjunction with bassist Andy Champion.
In Walked BudMidnight Bell (the first of several original compositions), Leon Russell's A Song for YouIn it Together (comp. Gilby/Champion) and a first set closer, Jules Styne's Time After Time, this was a half hour or so of highly accomplished performance from all three musicians - Gilby's distinctive vocals, Williams' mesmerising guitar accompaniment and ever-inventive solo excursions and Champion's imperious bass playing.

Basking in strong sunshine, no one was going anywhere. A catch up with Hilary and John, Norman, Sylvia, Jeremy and others, all were doing well. In years to come these outdoor, socially distanced performances will be recalled as 'I was there' occasions. 

The first of three Tom Harrell compositions - Moon Alley retitled Shadowed in Solitude to accommodate Gilby's lyrics - resumed matters in St James' and St Basil's spacious grounds. Rhythm-a-ning hit the heights with Champion's virtuosic solo. Red Headed Girl (from the North East of Nowhere) paid tribute to a special member of the Fenham jazz-loving congregation and to close, a good choice, the Harry Edison/Jon Hendricks' classic, Centerpiece. World class performance in the grounds of a Newcastle suburban church, you couldn't make it up. 
Russell

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