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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).
R.I.P. Sue Mingus (April 2, 1930 - Sept. 24, 2022).

Bebop Spoken There

Larry Klein: "- in a certain way - Leonard [Cohen] is the greatest songwriter ever." - (Jazzwise October 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14602 (and counting) posts since we started blogging 14 years ago. 880 of them this year alone and, so far, 80 this month (Sept. 26).

From This Moment On ...

September

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 26: Lewis Watson Quartet @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 27: Beth Clarke @ British Legion Club, West Jesmond, Newcastle. 1:00-4:00pm. Free.
Tue 27: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 27: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 28: Battle of the Bands @ NE Volume Music Bar, Yarm Lane, Stockton. Doors 6:00pm. Tickets: £5.00. adv., £6.00. on the door. Participants inc. Milne Glendinning Band.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 28: 4B @ The Exchange, North Shields. 7:00pm.
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 28: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).
Wed 28: Laura Jurd @ Sage Gateshead. 8:00pm.

Thu 29: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 29: Ushaw Ensemble @ King’s Hall, Newcastle University. 1:10pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 29: Czajka & Puchaz + Mark Solborg + Anthropology @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 29: ‘58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 29: La Sonora Boreal’s Latin Jam Session @ The Globe, Newcastle (7:45pm). Free (donations). Latin jazz performance & jam session.
Thu 29: Peter Morgan Trio @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 30: Adam Johnson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 30: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 30: Pete Churchill & Noel Dennis: Exploring the Jazz Metaphor in Leadership & Management @ Lit & Phil, Newcastle. 2:30-4:00pm. Workshop.Tickets: £3.30 (inc. bf). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: FILM: Bird (Dir. Clint Eastwood) + Swing Bridge (in the bar) @ Forum Cinema, Hexham. 6:30pm.
Fri 30: Orphy Robinson + Maniscalco-Bigoni-Solborg + Nicole Mitchell + Binker Golding-Alexander Hawkins-John Pope-Paul Hession @ Lit & Phil, Newcastle (7:00pm). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Ushaw Ensemble @ St Mary’s Church, Holy Island. 7:30pm.
Fri 30: Alter Ego @ Prohibition Bar, Newcastle. 8:00pm.
Fri 30: King Bee @ The Craig Charles Funk & Soul Club, Independent, Sunderland. 9:00pm. £22.50. DJs + King Bee.

October

Sat 01: Dale Storr @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Nicole Mitchell & Alexander Hawkins @ The Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Pete Churchill. £25.00. Enrol at: www.jazz.coop.
Sat 01: Orphy Robinson (in conversation); Beck Hunters w John Pope & Laura Cole; Daniel Levin; Black Top w Mariam Rezaei @ Lit & Phil, Newcastle. 6:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm.
Sat 01: King Bees @ Grainger Market, Newcastle. 9:00-9:45pm. A Great Market Caper multi-bill event. Superb Chicago blues band. Doors: 6:30pm. Tickets: £10.00. + bf.

Sun 02 RUTH LAMBERT TRIO @ Spanish City, Whitley Bay. 12 noon.
Sun 02: Helena Anahita Wilson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 02: Zoë Gilby Trio w Noel Dennis + John Garner & John Pope + Dilutey Juice @ The Globe, Newcastle. 2:00pm. £7.00.
Sun 02: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 02: Lindsay Hannon's 'Tom Waits for No Man' @ Three Tanners Bank, North Shields. 6:00pm. Free.
Sun 02: Celebrating the Life & Music of Pharoah Sanders @ Prohibition Bar, Newcastle. 7:00pm. £8.00. on the door. Feat. Sue Ferris, Paul Gowland, Tom Atkinson, Jude Murphy, Jeff Armstrong.
Sun 02: Shifa + Bex Burch & Leafcutter John + Farida Amadou @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Thursday, July 09, 2020

To 33 or not to 33? That is the question

The April edition of JazzTimes which I've belatedly got around to reading cover to cover rather the peripheral glance I initially gave it includes an interesting article on the pros and cons of digital v analogue/CD v LP etc. which I know some of our contributors feel strongly about.

This got me to thinking about where I stood in this debate and, to tell you the truth, I don't know!


When I first started listening to music it was via 78rpm single shellac records on a wind-up gramophone. There was lots of surface noise and, as I'd frequently bought them second hand, often much worse! But, did this deter me from the enjoyment? It didn't, I knew no different. Likewise, I'd also listen to jazz on the radio via some obscure continental station or the American Forces Network (AFN) station broadcast from Munich. Again, against all odds and despite the atmospherics, the music shone through.

I remember reading a novel, I can't remember the author - it may have been Peter de Polnay but probably wasn't. In the book, a couple are listening to a very average performance by, I'm guessing, an out of tune violinist playing a well-known concerto. The woman says, "Isn't that dreadful?" To which the man replies, "No, irrespective of the performance, I only hear what it should sound like." Those may not have been the exact words but I can relate them to the present day.

When stereo came along, I recall a salesman coming into the music shop where I worked with a demo record in which a bowling ball could be heard rolling from one side of the room to the other. We all gasped in awe although, with the odd exception, when applied to music I remained quite happy with mono recordings.

I was also quite happy with LPs until CDs came along and, suddenly, the long player with its beautiful artwork and easy to read sleeve notes became passé - file alongside piano rolls and cylinders.

The way things are going, CDs will soon be joining them as streaming and downloading become the norm. And yet, we now hear that cassette tapes are making a comeback and a recent Lockjaw and Johnny Griffin recording has been dished up on reel to reel so who knows?

Let's hear your views.
Lance

1 comment :

Ann Alex said...

I'm all for CDs for most listening as I sometimes can't manage streaming, but each mode has good points. You can pinpoint the exact place to replay something on an old fashioned cassette but you have to go to the whole track on a CD. Vinyl is somehow more 'immediate' and the artwork is appealing. I can understand people hearing music 'as it should be' on an imperfect recording. After all, how did Beethoven compose after he became deaf? He must have heard the music in his head.

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