Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Thursday, January 02, 2020

Johnny Desmond

(By Lance)

Reading Russell's preview of Ray McVay's Glenn Miller tribute at Sage Gateshead prompted me to reflect upon the late iconic bandleader. It seems to me that, possibly because of the enduring popularity of the music, the legend continues to grow. I doubt if Goodman, Shaw, Dorsey or even Ellington and Basie tribute bands could pull the punters like Miller - 75 years after his presumed death.

I've heard all the jokes "Better if Miller had lived and the music died" being one of the favourites and, it has to be admitted, the music could be a little schmaltzy at times. However, moving away from the civilian orchestra to the Army Air Force Band he fronted in Bedford, UK, we find ourselves in a different ball game.

This band swung - how could it not with Ray McKinley on drums, Peanuts Hucko blowing sax and clarinet, Bobby Nichols and Zeke Zarchey on trumpets, Mel Powell on piano and vocals by Johnny Desmond...

...Johnny Desmond! If Desmond had had a 'punctured eardrum' and escaped the draft the history of American popular song could have been a whole lot different.

This came to mind as I listened to a couple of postwar albums he made back in civvy street. Once Upon a Time is a fine orchestral album that shows off Desmond's perfectly pitched interpretations of standards but it is Blue Smoke that elevates him into the upper echelons of crooners.
Accompanied by Tony Mottola on guitar and Bob Haggart on bass, this is an album that can stand comfortably alongside the Sinatra's, Ella's and all the other vocal legends. Listen to I'm Thru With Love and you may get an idea where I'm coming from.
Lance

2 comments :

Steve T said...

It's always treacherous to second-guess the future, but I suspect people will be listening to Duke Ellington when the popularity of Miller - alongside other dead popstars - is restricted to discussion in academia.

Lance said...

Absolutely! Totally agree with you. The point I'm making is that Miller captured the imagination of so many people (mainly, these days, non jazz fans) of a certain age who probably remember the film - and, for all its inaccuracies, it was a good film - and the circumstances of his disappearance. The myths and misinformation that followed all added to the mystique.

My theory is that Ray McVay is actually the real Glenn Miller. He looks to be about the same age (114)...

Seriously Steve, you and I know that Ellington's music, like that of Bach and Beethoven will last forever but, who's not to say that Miller's music, like that of Gilbert and Sullivan, Bill Haley and Billy Cotton will not only also survive.

Howver, I digress, my whole point was to draw attention to what a fine crooner Johnny Desmond was...

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