Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Monday, July 01, 2019

CD Review: Bill Frisell, Thomas Morgan - Epistrophy

Bill Frisell (guitar); Thomas Morgan (double bass).
(Review by Chris).

A curious ECM offering in the seldom-heard format of a guitar/double bass duo, recorded live at the Village Vanguard, NYC. The guitar is in the experienced hands of the veteran ECM house guitarist of the 80s, Bill Frisell, the bass in the capable hands of the younger Thomas Morgan, whose prolific output includes a lush contribution to the recent stylish Avec Le Temps with Giovanni Guidi

The album comprises varied covers, with the title track and Pannonica by Thelonious Monk at the core. Epistrophy emerges from seemingly random off-kilter plucking and strumming, and epitomizes Frisell’s sophisticated, oblique approach here. Billy Strayhorn’s Lush Life and All in Fun by Kern/Hammerstein  are of an even older vintage and receive a more delay-laden treatment, as does a stately version of You Only Live Twice, all well received by the audience.  Paul Motian’s Mumbo Jumbo is more free fiddly fretwork, with tricky timing tossed in for good measure.

Overall, not a groundbreaking release, more of a low key listen for the guitar geek or dinner party. I have to say I was disappointed, not having listened much to Frisell since the 80’s when I had him down as the unpredictable one of three US “fusion” guitarists (with Abercombie and Scofield). Nowadays he has a reputation for “noodling”, but back in the day he was less restrained and his oblique lines meshed excitingly in contrast with angular and more brutal bandmates, such as on the excellent 1988 Look Out For Hope.   

I won’t be making the trip, but he plays London's Cadogan Hall in October - I’m sure he’ll be compelling live. 
Chris Kilsby
Available now on ECM 2626
Buy/see here. 

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