Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, July 01, 2019

CD Review: Bill Frisell, Thomas Morgan - Epistrophy

Bill Frisell (guitar); Thomas Morgan (double bass).
(Review by Chris).

A curious ECM offering in the seldom-heard format of a guitar/double bass duo, recorded live at the Village Vanguard, NYC. The guitar is in the experienced hands of the veteran ECM house guitarist of the 80s, Bill Frisell, the bass in the capable hands of the younger Thomas Morgan, whose prolific output includes a lush contribution to the recent stylish Avec Le Temps with Giovanni Guidi

The album comprises varied covers, with the title track and Pannonica by Thelonious Monk at the core. Epistrophy emerges from seemingly random off-kilter plucking and strumming, and epitomizes Frisell’s sophisticated, oblique approach here. Billy Strayhorn’s Lush Life and All in Fun by Kern/Hammerstein  are of an even older vintage and receive a more delay-laden treatment, as does a stately version of You Only Live Twice, all well received by the audience.  Paul Motian’s Mumbo Jumbo is more free fiddly fretwork, with tricky timing tossed in for good measure.

Overall, not a groundbreaking release, more of a low key listen for the guitar geek or dinner party. I have to say I was disappointed, not having listened much to Frisell since the 80’s when I had him down as the unpredictable one of three US “fusion” guitarists (with Abercombie and Scofield). Nowadays he has a reputation for “noodling”, but back in the day he was less restrained and his oblique lines meshed excitingly in contrast with angular and more brutal bandmates, such as on the excellent 1988 Look Out For Hope.   

I won’t be making the trip, but he plays London's Cadogan Hall in October - I’m sure he’ll be compelling live. 
Chris Kilsby
Available now on ECM 2626
Buy/see here. 

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