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Bebop Spoken There

Marc Myers: " If the original group with Baker was Dover sole, the group with Brookmeyer was beef stew." - (JazzWax, December 7, 2019).

Archive

Today Tuesday December 10

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jam session - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. House trio: Mark Williams, Paul Grainger, Rob Walker.

Tyne Valley Big Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues/Soul/Folk etc.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 05, 2019

Ruth Lambert Quartet @ The Gala Theatre, Durham - July 5

Ruth Lambert (vocals); Paul Edis (piano); Neil Harland (double bass); Russ Morgan (drums)
(Review/photo by Russell/Collage & Quartet photo courtesy of Brian Ebbatson)

Ruth Lambert has few if any pretenders to her crown as the supreme interpreter of the Great American Songbook. The Cullercoats-based singer works with the best of them and this Gala Theatre engagement found her in A-list company. Pianist Paul Edis, fresh from gigging in Glasgow the previous evening, short-notice dep bassist Neil Harland and sought-after drummer Russ Morgan were on duty for a one hour, lunchtime masterclass. 

The Gala's top floor studio space welcomed yet another capacity audience as Lambert opened her vocal masterclass with No Moon at All - succinct introductory solos from Edis and Harland with a concise round of fours, this was going to be good! Ms Lambert revealed she was battling a sore throat - we wouldn't have known! - as she ascended high, then higher again on Hoagy's Skylark. Cole Porter's You'd Be So Nice To Come Home To showcased Edis' stupendous piano playing followed by Lambert's take on Harold Arlen's I've Got the World on a String - quite simply, you couldn't find a better example of an innate sense of swing.  

West Coast Blues is a favourite of Lambert...good, any time! Edis and Harland stepped up on Bob Dorough's Devil May Care but, boy-oh-boy, Russ Morgan's pillar-to-post surging brushes were something else! 

Lambert the composer contributed two numbers - a mid-set A Love That Never Dies and the set-closing Mr Wonderful - which Messrs Edis, Harland and Morgan executed with due care and attention. Hearing Ruth Lambert fronting a big band (the Customs House Big Band) or, as on this occasion, singing in small combo company is one of the joys of gig-going.   
Russell   
More Gala photos.

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