Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, July 16, 2019

Burton Agnes Jazz and Blues Festival - July 13

Atila: King for a Day. 
Atila (vocals); Colin Oxley (guitar); Gabriel Latchin (keys); Tom Farmer (double bass/vocals/MD); Steve Brown( drums).
(Reviews by Sheila).

This set was an hour and a half of superb singing and playing in tribute to Nat King Cole celebrating the centenary year of his birth. (1919-1965). 

Not a pastiche, but a warm and suave delivery of Nat King Cole's well-known, romantic ballads and an interesting insight into the career and development of this well-loved singer. 

Atila sang with obvious enjoyment, his beautiful phrasing and care towards these classic songs was much appreciated by an audience who knew the originals by heart. Always a difficult situation requiring the vocalist to own the material and interpret it afresh, in this set, he did it successfully. 

The inclusion of brief recordings of Nat himself and some of the orchestrations of his Capitol Records' releases were, l thought, less successful in the story-telling. 

The instrumentalists on stage were a joy to hear, the solos were excellent as were the arrangements. 
Mo Pleasure Band. 
Mo Pleasure (bass guitar); Jamie Michael Harris, (sax/ewi - electronic wind instrument); Mike Brown (guitar); Luke 'The Duke' Smith (keys); Ivy Chanel (vocals); Josh MckNasty (drums) + Cheri Maree (vocals).

I am sorry to say that heavy rain started to pour down as they came on stage at 9:00pm and, along with other less equipped members of the audience, l headed for the beer tent where the sound was rather poor and my attention to their music was less than l would have wished or intended. 

Mo Pleasure has had a very impressive career to date and he and his current band were playing a free, funky style of soul/blues/jazz. Playing bass guitar, Mo led the band from the front, the solos were impressive, sax, keys and drums especially were audible through the weather conditions.  Those hardy souls who stood stage front assured me that the set was lively and a sunshine antidote to the rain. Maybe check any tour dates to hear them again this year. 
Sheila H

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