Bebop Spoken There

Christian McBride: ''I believe we are living in a historically embarrassing moment in American history.'' - Downbeat December 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18083 (and counting) posts since we started blogging 17 years ago. 1047 of them this year alone and, so far this month (Dec. 14), 61.

From This Moment On ...

DECEMBER 2025

Sun 21: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. ‘Xmas Swingalong’. Skerritt w. backing tapes.
Sun 21: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00-5:00pm. Free.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Strictly Smokin’ Big Band @ o2 City Hall, Newcastle. 6:00pm. £35.80., £33.25., £31.00.
Sun 21: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music.
Sun 21: Tweed River Jazz Band @ The Barrels Ale House, Berwick. 7:30pm. Free.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. backing tapes.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:30pm. ‘The A Capella Sessions’. Gardner, Paula Gardner, Alexia Hope Gardner Diamany.
Wed 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:30pm. Skerritt w. backing tapes.

Thu 25: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:00pm. ‘All About the Bass Sessions’. Alexia Gardner, Paula Gardner, Jude Murphy.

Fri 26: ???

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 27: Leeds City Stompers @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.

Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 28: The Society Quartet @ Hilton Garden Inn, Sunderland. 6:30pm. Jason Holcomb & co.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Shalala @ The Globe, Newcastle. 8:00pm. £8.00., £7.00. adv.

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Lil Miss Mary & the Mr Rights Trio @ Billy Bootlegger’s, Newcastle. 2:00pm. Free. ‘Early NYE Bash’. Rockabilly, rhythm & blues.
Wed 31: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. ‘Midnight in Manhattan’ NYE party. £49.46 (inc. bf) & £29.38 (inc. bf).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, July 20, 2019

Marie Curie Fundraiser - A Concert For Margaret Barnes @ the Lit & Phil, Newcastle - July 20

(Review by Lance/photos courtesy of Pam Young)

A lot of familiar faces turned up at the Lit & Phil for JNE's Marie Curie Fundraiser in memory of Margaret Barnes. A wonderful person whose devotion to jazz made her known and loved by many whether local musician or international name. To steal a hackneyed and yet very apt saying - to know her was to love her and so it was that this Saturday afternoon concert (there's an evening one to follow) came about.

Debra Milne (voice); Steve Glendinning (guitar).
The opening slot on these occasions is never an easy one but Debra and Steve dug in playing six original compositions all with words by Debra and music by Steve, Alan Glen or Bradley Johnston of whom more later.
My personal favourite was a clever tune called Too Busy For Thinking. A tongue-twisting lyric sung over a complex angular voice/guitar line that seemed like a recipe for disaster but, I guess it's been well rehearsed as no safety net was needed
.
Paul Edis (piano/vocal); Graham Hardy (trumpet).
A rolling left hand from Edis and some down home muted trumpet on a number, Brotherhood of Man, that turned out to be from an Oscar Peterson/Clark Terry album. Bearing in mind that Oscar and Clark had bass and drums to assist, Paul and Graham did fine. Start Over, an Edis original had a nice lilt to it whereas Ellington's Black and Tan Fantasy once more had Hardy taking the plunger. Edis must have transplanted a couple of extra fingers to play those big fat juicy chords.

I Could Have Danced All Night featured Edis the singer whilst Hardy exited stage left before returning for Do You Know What it Means to Miss New Orleans? A boppy number that I recognised but couldn't name brought us to a surprise finale La Vie en Rose inspired, not by Edith Piaf but by Louis Armstrong!

Hand to Mouth: Lindsay Hannon (vocals); Bradley Johnston (guitar).
Exquisite singing, tasteful guitar playing. Just as Joe Pass and Ella hit it off musically, so do these two. Indeed much of their material is based on material featured by Joe and Ella.

The Very Thought of You; All Too Soon; Ain't Got Nothin' But the Blues; Tea For Two. I Love Being Here With You and Someone to Watch Over Me. This last tune, complete with verse, rounded off the set. Nobody reads a verse better than Lindsay nor accompanies it more sympathetically than Brad. Particularly impressive was the rendering of the verse to Tea For Two that they also, somehow managed to slot into the ending. If only more singers would sing the verse - that's what it's there for!

Thomas Dixon Band: Thomas Dixon (alto sax); Ben Lawrence (piano); Michael Mather (drums); Inês Gonçalves (keys).
One thing about this afternoon's concert was that it offered variety ranging from early Ellington to more contemporary sounds of which this band was a good example. There were moments of excitement - all four are excellent musicians - although, as a unit, I think it's still a work in progress - watch this space.

So, all in all, a fitting tribute to Margaret with more reports on the evening concert to follow as and when.
Lance.

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