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Bebop Spoken There

KT Reeder: "The idea of teaching somebody to improvise is just bloody ridiculous. In this country jazz has been appropriated by universities. They have jazz courses, and they churn out people who have a degree in jazz, which makes me feel very nauseous, the idea that you can be trained to do jazz." - (Giant Steps by David Burke)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, March 10, 2019

Belinda Y Los Vinaleros @ Prohibition Bar, Newcastle - March 9

Belinda Voshtina (vocals); Carlos Luis Rivera (percussion/vocals); Alan Law (piano); Paul Grainger (double bass); David Gray (trombone); Elliott Todd (trumpet/flugel).
(Review by Lance).

What better way to celebrate the latest of my countless birthdays than to spend a couple of hours in Havana and, without the hassle of going through customs? Yes to celebrate my birthday Cuba came to Newcastle albeit not weatherwise.

In the Prohibition Bar Cuba Libres were being downed as if we were in Havana's Jazz Café as opposed to Newcastle's former venue of the same name. The music added to the Caribbean ambiance that was in the air and there was little English in the lyrics that were sung so beguilingly by Belinda and Carlos. 


It had been some time since I'd last heard Belinda which was my loss. The voice, the tone is now more rounded and the words delivered more fluently. Perhaps Portuguese (Spanish?) comes more naturally to her. Carlos on congas and bongos provided the Latin drive as well as adding his own vocals to the mix. Alan Law is perhaps the greatest non-Cuban authority on the music and his playing would have been a credit to Chucho Valdes. The horns blended well with 'Showtime' as boisterous as ever and Elliott slotting easily into the idiom. Paul Grainger was, as always, un hombre para todas las estaciones.
Lance.
Photos.
Set 1
1 - El Cuarto de Tula (Sergio Gonzalez-Siaba)
2 - Comes Love  
3 - Agua De Beber (Jobim)
4 - Besame Mucho (Consuelo Velasquez)
5 - Chan Chan (Compay Segindo)
6 - Oye Como Va (Tito Puente)
7 - Quizás, Quizás, Quizás (Perhaps Perhaps Perhaps)
8 - Dos gardenias (Isolina Carrillo)
9 - Tristeza (Haroldo Lobo)

Set 2
10 - La Sitiera 
11 - Vasilon 
12 - La Distancia
13 - There Will Never Be Another You 
14 - Sway 
15 - Lágrimas Negras 
16 - Manha De Carnaval (Black Orpheus)
17 - Alacran
18 - Conque 

Encore
19 - Mandinga

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