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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

January

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: TBA @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Saturday, March 02, 2019

CD Review: Lyn Stanley - London Calling "A Toast To Julie London"

Lyn Stanley (vocals); John Chiodini (guitar); Mike Garson, Christian Jacob (piano); Chuck Berghofer, Michael Valerio (bass); Luis Conte, Brad Dutz (perc); Aaron Serfaty (drums, perc); Paul Kreibich (drums)
(Review by Ann Alex).

I liked this CD before I heard it! At least I enjoyed the very informative notes in the insert, which give the details of each song, the circumstances in which Julie London sang the song and the details of Lyn Stanley’s interpretation. For instance, did you know that  As Time Goes By was a flop when it was written in 1931, and didn’t catch on until it was included in the film Casablanca in 1942? Or that Blue Moon was originally entitled The Bad In Every Man? I digress.

The CD gives us 15 standards recorded by Julie London and 2 songs, It’s Impossible and I Heard It Through The Grapevine, which Stanley reckons would have suited Julie’s singing. Julie London (1926-2000) was a singer and actor, and one of her classic and very influential songs was Cry Me A River. Lyn Stanley released her debut album in 2013 and she has sold 40,000 albums worldwide.  On this CD she puts very much her own take on these classic songs, Working with stellar musicians from the Los Angeles area, and without any actual written arrangements.

Her diction is faultless and she sings with feeling. For instance, Bye Bye Blackbird  is a swinging duet with lots of space for the bass, and a sly reference to These Boots Are Made For Walking at the end. I Heard It Through The Grapevine has Latin percussion with bass noodling and a free jazz feeling from the piano. Summertime (Yes Lance!) is done twice, both very acceptable, a bluesy version with the whole band, and then as a lullaby with a rocking rhythm from piano and vocals. Sway is intimate, almost whispered, with mainly piano and guitar. I could outline each track, but it’s best to hear the songs, which include: Goody Goody; Call Me Irresponsible; How About Me; I’ve Got A Crush On You; Light My Fire; Go Slow/Nice Girls Don’t Stay For Breakfast; You The Night And The Music; Ev’ry Time We Say Goodbye.

The music is available on CD and also in vinyl as a 2 disc set. See www.LynStanley.com
Ann Alex    

1 comment :

JazzMaverick said...

Just a note to thank you so much for this review--I really enjoyed reading it and am so appreciative that you noticed the work Scott Yanow did for the liner notes to help bring the songs to life for the listener. This album's arrangements were all created by the band and they were organic even on the recording day. The lullaby of Summertime you mention was a one take one time recording whereby Mike Garson asked me to record it at the end of our band session. So, I dismissed the band and kept the engineers and Mike saundered over to the Steinway and just told me to follow his lead. And so it went. I included it because it does add such an interesting contrast to the band version and Mike's solo is over the top to me.

Thank you again, and I am sorry that I did not know about this review until today.

Lyn Stanley

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