Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Hey Remember This @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Saturday, March 23, 2019

CD Review: Ben Crosland Quintet- The Ray Davies Songbook Volume II

Ben Crosland (bass); Dave O'Higgins (tenor/soprano saxes); John Etheridge (guitar); Steve Lodder (piano/keys); Sebastiaan de Krom (drums).
(Review by Lance).

Ray Davies, in my opinion, was every bit the songwriting genius that Lennon and Macca were. Even without the lyrics, the music stands on its own two feet which is more than you can say for many of the Beatles' numbers.

I discovered this after listening to Volume 1 of Ben Crosland's take on the Ray Davies Songbook and, almost three years on, Volume II has reinforced that opinion.

O'Higgins is at his finest on both Bb horns, Etheridge reinforces his position in the top echelon of jazz guitarists goosed along by a rhythm section that's just Dandy! Not all of the tracks are numbers that hit the top twenty, several were B-sides which, in retrospect, had they been given the  same amount of airplay that the A-sides received back in the day when pop fans studied the MM/NME charts as avidly as stockbrokers consulted the Financial Times then some of these gems would have had the recognition they deserved.

They certainly get that here. Think of it as a hardbop blast. Who cares that the songs are not originals written by a Guildhall graduate or standards played at every jam east of Birdland? We may have moved on from the GASbook but in the form of Ray Davies and, as Postmodern Jukebox has proved, there's still plenty of material out there to blow on and these guys certainly do that.

If I say I prefer Volume I to Volume II that's only because I heard the other album first but, trust me, it'a split decision and I really wouldn't want to have one without the other. Is there enough material for another album? I hope so. If not perhaps they could check out The Zombies...

Great!
Lance.

Sittin' on my Sofa; Days; Till the End of the Day; Apeman; Victoria; Celluloid Heroes; I Gotta Move; Lola; Where Have All the Good times Gone?; Dandy.



Available April 12 on Jazz Cat - JCCD117. Launch at 606 Club on April 23.

1 comment :

NeilC said...

Have to say Lance I agree, Ray Davies is one of the finest songwriters we have ever produced. He does not get the credit he is due , I think he is on a par with Lennon and McCartney . I look forward to listening to Ben Crosland's interpretation .

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