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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, March 08, 2019

CD Review: Nick Sanders Trio - Playtime 2050

Nick Sanders (piano); Henry Fraser (double bass); Connor Baker (drums).
(Review by Dave Brownlow)

The Nick Sanders Trio present a 12 track album of creative material combining classical music and jazz in an innovative style. Looking to the future is how Sanders sees jazz developing via a repertoire of through-composed songs, swing tunes, free improvisations, ‘prepared piano’ interjections and solo piano items.

The album’s cover features rather disturbing art-work showing a young girl clutching a soft toy and both wearing gas masks. This painting appealed to Nick Sanders – its dark humour weirdly attracting his interest.

Live Normal has an appealing, jaunty melodic theme with various changes of tempo where bass and drums contribute strongly and attentively in middle segments. Manic Maniac has many shifts in time ranging from frantic to calm. Blisteringly avante-garde, some Cecil Taylor-like moments add to the chaos. The title tune, Playtime 2050 is a short swinger with a different tempo middle section. The charming melody leads to some clever improvisations before a reprise of the theme.

Prepared for the Blues provides the added interest of a ‘prepared piano’ where metal nails are placed between the piano strings to create a special ‘jangly’ effect. Sanders also quotes from Thelonious’ Blue Monk as the piece follows the conventional 12 bar structure. The meditative Still Considering conjures up a classical feel and indeed incorporates various fragments of melody from well-known masterpieces cleverly woven into the piece. This is a through-composed ballad which is well-thought-out at a gentle tempo.

The Number 3 has a frantic Bud Powell-type intro which then morphs into wild avante-garde passages where piano and drums challenge each other. Again, the ‘manic’ sections are interspersed with slower parts. Interlude For S.L.B. is a brief solo piano tribute respectful to Nick’s late mother. This charming piece has a strong classical form with hints of other diverse influences which intrigue…Endless has an A-B-A form where the fierce piano/drum ‘A’ sections are sharply contrasted with a calm, pastoral ‘B’ interlude. Drummer Baker is in the front line here as an equal soloist.

It’s Like This - a trio-led exploration of a gentle peaceful melody in a time signature that is difficult to pin down. Hungry Ghost has a tense, eerie, dark theme where bowed bass and muttering drums add to the feeling of unease…RPD is a slow, stately ruminative piece – its source being a zombie apocalypse video game “Resident Evil”. Prepared for the Accident is freely improvised, a percussive piece also using the prepared piano. The inspiration for this comes from avant-garde composer John Cage. #2 Longfellow Park concludes the program – its gorgeous hymn-like style reverently apt for the address of an old church in Boston.

Nick Sanders is a player committed to his ideas of moving jazz music forward and I applaud him for it.
The CD is worth repeated hearings to familiarise the listener to his wry style and humour as he looks to the future.
Available from March 15 on Sunnyside SSC 1537 from nicksandersmusic.com
Dave B

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