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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).
R.I.P. Sue Mingus (April 2, 1930 - Sept. 24, 2022).

Bebop Spoken There

Joe Daley: "We [Daley & Sam Rivers] did an entire tour, and nothing was discussed other than what time was dinner" - (JazzTimes Sept. 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14623 (and counting) posts since we started blogging 14 years ago. 901 of them this year alone and, so far, 101 this month (Sept. 30).

From This Moment On ...

October

Thu 06: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 06: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:30-9:00pm.
Thu 06: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations). POSTPONED!
Thu 06: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 06: Brass Funkeys + Baghdaddies @ The Cluny, Newcastle. 8:00pm.
Thu 06: Mo Scott Band @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 06: Lindsay Hannon Trio @ Harbour View, Roker, Sunderland. 8:00pm. 'Tom Waits for No Man'. A Harbour View Speakeasy event.
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Garry Hadfield (keys) Bill Watson (trumpet) Josh Bentham (sax) Mark Hawkins (drums) Adrian Beadnell (bass)

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 07: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 07: Hannabiell & the Midnight Blue Collective + Knats @ Dance City, Newcastle. 7:00pm. £15.00. (£12.50. student).
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. 'Celebrating Oscar'.
Fri 07: TBA @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.
Fri 07: Anth Purdy @ Waterford Arms, Seaton Sluice. 8:00pm.
Fri 07: Rob Heron & the Tea Pad Orchestra @ Forum Music Centre, Darlington. 8:30pm.

Sat 8 Oct, Vieux Carré Jazzmen @ The Buck Inn, Thornton Watlass, Ripon HG4 4AH. 12.20pm. NOTE SATURDAY GIG AS OPPOSED TO REGULAR SUNDAY GIG. COACH FROM WHITLEY BAY NOW SOLD OUT!
Sat 08: Paul Skerritt w Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 08: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.
Sat 08: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Maureen Hall's monthly residency one week later than usual.

Sun 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 09: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 09: Chip Wickham @ The Cluny, Newcastle.
Sun 09: Blue Jazz Quartet w Rivkala @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 10: Central Bar Quintet plays Blue Train @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 11: Dean Stockdale Trio @ Forum Music Centre, Darlington. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 12: 4B @ The Exchange, North Shields. 7:00pm.
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, March 05, 2019

Giles Strong Trio @ Gala Theatre, Durham, - March 1

(Review & trio photo courtesy of Brian Ebbatson. Individual photos courtesy of Malcolm Sinclair).

For the third concert of the 2019 Lunchtime Jazz series, the capacity audience at the Durham Gala was to be enthralled by a debut performance of the Giles Strong Trio, featuring the engaging and inventive playing of three musicians making their first outing together. Over the past 2 years (or more?) Giles and Roly have established a deserved reputation as a guitar duo, but this was to be their first opportunity to show their wares alongside the accomplished bass of Ian Paterson.

The setlist too was a new departure. “This was all new material for all of us,” said Roly, “so this was its first outing. Giles did most of the hard work on the arrangements, but I tried to take some of the burden with a couple of pieces”. “The bass too is important,” he went on, “it provides much more than just rhythm and harmony, it is the anchor that holds the whole performance together”.



This was clear from the first number, Gene de Paul’s I’ll Remember April, opening with a distinctive bass riff from Ian, leading Roly into the melody and an extended solo (‘That’s Jim Hall’, I wrote down immediately.) The bass then stood out while the two guitars took on the tune, each responding to and supporting each other’s solos. Then Giles came back to the theme and that riff to bring back Ian for the close.

This set the pattern for the arrangements to come. To my (non-musician) ear, Giles’ had sought to pare down the melodies to their essence, often carried by the bass, but used by all instruments to build their solos. Sometimes the interplay was between the two guitarists, sometimes between the bass and one of them, at others between all three. At different times each player led, followed, responded, soloed, stood out, then together they picked up the theme again and took the piece to its close.

Supported by Roly’s encyclopaedic knowledge of the jazz canon, Giles introduced each number, acknowledging the composers / lyricists, giving some of the background (the film, the musical, the first or most famous artist to feature it, the 40’s ‘back to nature living’ Hollywood experiment behind Eder Ahbez’s Nature Boy etc.).  

Then the music. Nature Boy, Cole Porter’s Love for Sale, Giles’ own Everything \was Beautiful,  Jerome Kern and Otto Harbach’s Yesterdays, Johnny Green’s Body and Soul, Fragos/Baker/Gasparre’s I Hear a Rhapsody, they were all vehicles for skilled arrangements, lyrical exposition, intense interplay and inspired improvisation, leaving the audience fully engaged, enthralled and warmly appreciative. There were two more compositions by the guitarists, Roly Veitch’s WT Blues, and Giles’ Billie’s Blues, both executed with the same freshness and invention as the standards and fully able to stand alongside them. (WT (Blues) stands for ‘Whole Tone’ as in whole tone scale, described by Giles as “made up of six notes with each note being a tone apart. It can sound quite restless because it doesn’t have a clear tonal centre, as compared to, for example, a major scale”. So enlightenment as well as musical inspiration for the audience!)
 
Billie’s Blues was to be the closer, but the audience wanted more, so the trio obliged with a full-length Alone Together (by Arthur Schwarz and Howard Dietz for the 1932 Broadway musical Flying Colours). For me the only disappointment was that Roly didn’t break into song at any point, but that in no way detracts from the quality or enjoyment of an excellent performance way to spend an early spring lunchtime.

Brian

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