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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Newcastle Jazz Festival - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. £15.00. All day event, line-up:

Zoë Gilby & Andy Champion (1:30pm)

Alan Law Trio (2:40pm)

Mark Williams Trio (3:50pm)

Emma Fisk & James Birkett (5:00pm)

(Evening)

Alexander Bone (6:15pm)

Strictly Smokin’ Big Band (7:45pm).

Blues/Funk/Soul

King Snake - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 07, 2019

Triple First: Dean Stockdale Trio @ The Lubetkin Theatre, Peterlee – March 6.

Dean Stockdale (piano); Mick Shoulder (bass); Russ Morgan (drums).
(Review/photos by Jerry E)

This was the first time I had made it to the Lubetkin Theatre for one of the lunchtime gigs which Emma Fisk has been running since last September; the first time I had heard Dean Stockdale play, and the first time I had heard the two excellent original compositions – First Light and Another Time – which featured in today’s set-list.

Those two, of which more later, were sandwiched between interesting arrangements of various standards (for interesting, try Hoagy Carmichael’s The Nearness of You done “a bit James Bond-ish”!) sensitively performed by three of our top musicians.


Nostalgia in Times Square was the opener, as it is on Stockdale’s CD which I purchased after enjoying the gig today. From Mingus to Gershwin, next up was They Can’t Take That Away from Me during which I thought I heard a quote from Singing in the Rain – or was it just today’s weather which put the thought in my head? Either way, Mick was silently singing during his solo (as is his wont) on My Romance! Out of Nowhere was built entirely around Russ Morgan’s drumming and featured a great snap ending. Witchcraft concluded the (all too short) performance in fine style.

There was an element of witchcraft, or at least enchantment, about the original, First Light. Melodic, almost classical in parts, this featured deft brush-work from Russ Morgan and “Danse Macabre” style bass from Mick Shoulder as well as a lovely fade-out finish. The ballad-style original, Another Time, was also gently melodic (I could readily imagine lyrics being penned to go with it) and featured another fine bass solo. I liked the ending here, too – bowed bass and tinkling piano.

So, I can unreservedly commend my “triple firsts”: the Lubetkin is easy to get to (literally two minutes off the A19) and, with music of this quality on offer, it’s well worth the trip. I’ll be making that trip again on the first of May for Zoë  Gilby and Andy Champion. Fans of Messrs. Stockdale, Shoulder and Morgan should make a bee-line for Bishop Auckland Town Hall on March 15 where all 3 appear alongside Graham Hardy and Lewis Watson – a mouth-watering prospect!

Jerry

1 comment :

Emma Fisk said...

Many thanks for the review Jerry and for making the journey to deepest, darkest Peterlee!
Look forward to seeing you in May.
Emma

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance