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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Tweed River Jazz Band @ Repas 7 by Night, West St., Berwick TD15 1AS. 7:30pm. Free. Album launch gig.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, October 24, 2018

Preview: “Remembering Blossom Dearie” - Eyemouth

(Press release)
Singer Zoe Francis and guitarist Jim Mullen bring their Remembering Blossom Dearie tribute show to Eyemouth Hippodrome on Wednesday, November 7.
Blossom Dearie, who died in 2009, was an American singer and pianist who gained popularity in Paris and London during the 1950s and 1960s for her singing of songs including Peel Me a Grape and I’m Hip. She was also known for her deadpan, often spontaneous wit.
Ronnie Scott, who booked Dearie into his Soho club many times, often said that if she’d chosen to be a comedienne instead of a musician she would have been a great success.
“I got to see Blossom when I was living in New York,” says Francis, a former dancer and actress who began singing jazz after she went to New York for a holiday and ended up staying for nine years. “She was playing in Danny’s Skylight Room, one of her favourite venues, and she made everyone laugh.”
However, It was Dearie’s singing and her choice of songs that particularly appealed to Francis. 

“I loved Blossom’s phrasing and the way she made songs tell a story,” she says. “A lot of what she did sounds simple on first listening but that’s because she made everything sound effortless. Nowadays, it seems that people are looking for technical acrobatics from singers, but Blossom never over-egged anything and she was always ahead of her time in terms of choosing songs.”
For Francis, Dearie’s song selection was akin to her paving the way for the next generation of the Great American Songbook.
“Audiences apparently used to think that she’d written the songs she sang herself because they hadn’t previously heard what turned out to be classic songs,” she says. “But she just knew a good songwriter when she heard one and she virtually launched the careers of writers like Dave Frishberg, who wrote Peel Me a Grape and others like My Attorney Bernie.”
Francis returned from New York in 2004 and after working as a yoga teacher for a spell, she resumed her singing career in the late noughties. She recorded her first album, Looking for a Boy, when she was living in Bristol, where she met Jim Mullen, whose trio accompanies her at Eyemouth Hippodrome.

“Jim encouraged me to do a whole programme of songs associated with Blossom after I’d decided I wanted to sing a few of her songs,” says Francis. “We’re not trying to copy her – we do The Riviera quite differently to her version – but she’s quite underrated now and we’d like people to appreciate her more.”

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