Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, September 29, 2018

Daniel Karlsson Trio @ Jazz Café, Newcastle - Sept. 28

Daniel Karlsson (keys); Christian Spering (bass); Fredrik Rundqvist (drums).
(Review by Lance/Photos courtesy of Ken Drew).
JNE and I don't always work the same side of the street, although BSH usually has one or more of the team in attendance - rather like the St. John's Ambulance Brigade at soccer matches. Tonight I was that team player and I feel very fortunate that I was!
The standing room only scenario suggested something special was going to happen and it did.
Not surprisingly, there was a Nordic air about the room and there were some Scandinavians in the audience as well as on stage.
Many bands are described as being a 'Power Trio' and, to my ears, none fit the description better than this award-winning Swedish band.
There were no inter-round summaries by Karlsson, I suspect his English is limited to "thank you" and "a pint of Stella please". It didn't matter - the music spoke for itself.
Few, if any, of the originals were straight ahead wham, bang, thank you mam, compositions. Each one offered mood swings, tempo changes, rubato explorations, frenzied attacks, rhapsodic solo piano sections, occasional arco bass moments as well as times when Rundqvist kicked (figuratively speaking) seven shades out of the kit. 
Rundqvist is one amazing drummer. Always on the money, driving without overpowering, everything integrated into the overall picture and not an iPad between the three of them.
Spering's bass playing had a beguiling sound producing a vibrato-like effect when sustaining a note and, although he had an array of pedals at his feet they were used sparingly (Speringly?) and effectively.
The leader may have been a man of few words, but he certainly communicated through the keyboard. His technique dazzled but, on the rare balladic moments, he could also hit the emotive buttons.
Collectively, a well-drilled unit and none the worse for that.
Catch them, if you can, at Bristol on Sunday or else at various venues throughout Europe.
Lance.
Photos.

1 comment :

Rob Mallows said...

Sounds like it was a blast and carrying on the energy they created in London where I saw them.

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