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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 03, 2018

CD Review: Chris Monson - Seldom in the Well.

Kelly Jefferson (tenor), Kevin Turcotte (trumpet, flugelhorn), Anthony Panacci (piano), Chris Monson (guitar), Artie Roth (bass), Tom Rasky (drums).
(Review by Steve T)
Available on iTunes, CD Baby and other major platforms from Sept. 7 (this Friday). A fine album which should persuade anybody who hears it to seek out a live performance and, no doubt, sell well amongst those who are lucky enough to catch them live -  Toronto would be a good place to start.
Monson's a guitarist, but that shouldn't put non guitar enthusiasts off, and apparently a prog-rock guitarist by day, which needn't put prog-rock non-believers off either. His playing is unassuming and sparse and one could be forgiven for thinking that the album must be by the sax, trumpet or even the piano player, except he wrote all nine tracks.
Back to the notes and we're told there's an iconic sixties vibe, but without sounding in any way like a period piece. My first play through was in the car where Francis spotted an Ingrid Jensen influence, which quickly developed into a Kenny Wheeler thing and, with Monson a fellow Canadian, he seems to be on to something, and who am I to argue.
Strange times we live in and it's hard to say with any certainty what, if anything, the album format is for these days. But this one should appeal to anybody who likes classic sixties trumpet/sax jazz from a post-bop period, or guitarists of the more tasteful and under-stated variety, and hopefully you'll get to pick one up at a live gig somewhere in Ontario or Onlineo and play it a couple of times before filing it away, and maybe that's ok. 
Steve T.

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