Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18429 (and counting) posts since we started blogging 18 years ago. 293 of them this year alone and, so far this month (April 13 ) 27,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 16: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jewish Musicians/Composers/Vocalists.
Thu 16: Sleep Suppressor + Silk Road + So Anne So @ The Globe, Newcastle. 7:00pm. £10.00., £8.00., £6.00.
Thu 16: Fourpenny Rabbits @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 17: Russ Morgan Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Ben Crosland Quartet @ Sunderland Minster. 7:30pm. £12.96 (inc. bf) online; £15.00 on the door. Old Black Cat Jazz Club.

Sat 18: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Swing dance sessions + Bright Street Big Band 7:30-8:15pm & 8:45-9:30pm.
Sat 18: Glenn Miller & Big Band Spectacular @ The Phoenix Theatre, Blyth. 7:30pm. £27.00 (inc. bf).

Sun 19: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Lara Hopper.
Sun 19: Pete Tanton’s Chet Set @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 19: Straight to Tape @ The Tyne Bar, Newcastle. 4:00pm. Free. Edd Carr, Jonathan Proud, John Hirst. Blues trio.
Sun 19: Graham Hardy’s Eclectic Quartet @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. Stockdale, Mick Shoulder, Abbie Finn.

Tue 21: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. Tel: 0191 237 3697. Tickets: £14.00. ‘Pie & Pea Lunch’.
Tue 21: Neil Cowley Trio @ The Fire Station, Sunderland. 7:30pm. £29.00., £26.00., £23.00.
Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels (guitar); Paul Grainger (double bass); Jack Littlewood (drums).

Monday, September 03, 2018

CD Review: Chris Monson - Seldom in the Well.

Kelly Jefferson (tenor), Kevin Turcotte (trumpet, flugelhorn), Anthony Panacci (piano), Chris Monson (guitar), Artie Roth (bass), Tom Rasky (drums).
(Review by Steve T)
Available on iTunes, CD Baby and other major platforms from Sept. 7 (this Friday). A fine album which should persuade anybody who hears it to seek out a live performance and, no doubt, sell well amongst those who are lucky enough to catch them live -  Toronto would be a good place to start.
Monson's a guitarist, but that shouldn't put non guitar enthusiasts off, and apparently a prog-rock guitarist by day, which needn't put prog-rock non-believers off either. His playing is unassuming and sparse and one could be forgiven for thinking that the album must be by the sax, trumpet or even the piano player, except he wrote all nine tracks.
Back to the notes and we're told there's an iconic sixties vibe, but without sounding in any way like a period piece. My first play through was in the car where Francis spotted an Ingrid Jensen influence, which quickly developed into a Kenny Wheeler thing and, with Monson a fellow Canadian, he seems to be on to something, and who am I to argue.
Strange times we live in and it's hard to say with any certainty what, if anything, the album format is for these days. But this one should appeal to anybody who likes classic sixties trumpet/sax jazz from a post-bop period, or guitarists of the more tasteful and under-stated variety, and hopefully you'll get to pick one up at a live gig somewhere in Ontario or Onlineo and play it a couple of times before filing it away, and maybe that's ok. 
Steve T.

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