Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, September 03, 2018

CD Review: Chris Monson - Seldom in the Well.

Kelly Jefferson (tenor), Kevin Turcotte (trumpet, flugelhorn), Anthony Panacci (piano), Chris Monson (guitar), Artie Roth (bass), Tom Rasky (drums).
(Review by Steve T)
Available on iTunes, CD Baby and other major platforms from Sept. 7 (this Friday). A fine album which should persuade anybody who hears it to seek out a live performance and, no doubt, sell well amongst those who are lucky enough to catch them live -  Toronto would be a good place to start.
Monson's a guitarist, but that shouldn't put non guitar enthusiasts off, and apparently a prog-rock guitarist by day, which needn't put prog-rock non-believers off either. His playing is unassuming and sparse and one could be forgiven for thinking that the album must be by the sax, trumpet or even the piano player, except he wrote all nine tracks.
Back to the notes and we're told there's an iconic sixties vibe, but without sounding in any way like a period piece. My first play through was in the car where Francis spotted an Ingrid Jensen influence, which quickly developed into a Kenny Wheeler thing and, with Monson a fellow Canadian, he seems to be on to something, and who am I to argue.
Strange times we live in and it's hard to say with any certainty what, if anything, the album format is for these days. But this one should appeal to anybody who likes classic sixties trumpet/sax jazz from a post-bop period, or guitarists of the more tasteful and under-stated variety, and hopefully you'll get to pick one up at a live gig somewhere in Ontario or Onlineo and play it a couple of times before filing it away, and maybe that's ok. 
Steve T.

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