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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16434 (and counting) posts since we started blogging 16 years ago. 314 of them this year alone and, so far, 26 this month (May 9).

From This Moment On ...

May

Sat 18: Jam session @ The Black Swan, Newcastle. 7:00-9:00pm. Free. Celebrating ‘10 years of the Jazz Jam!’. House trio: Alan Law, Paul Grainger, Tim Johnston. A Late Shows event.
Sat 18: SH#RP Collective @ Holy Name Parish Church Hall, Jesmond, Newcastle. 7:00-9:00pm. Tickets: £15.00. Bar available, BYO snacks. A Jesmond Community Festival event. All proceeds to Kabuyanda Charity (Ugandan health care).
Sat 18: Red Kites Jazz @ Staithes Café, Autumn Drive, Gateshead. 7:30pm.
Sat 18: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 18: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 18: Papa G’s Amigos special summer Latin set @ The Schooner, Gateshead NE8 3AF. 9:00pm. Free.
Sat 18: Late Night Special with Ruth Lambert & special guests @ The Black Swan, Newcastle. 10:00pm-midnight. £5.00. (booking essential). Lambert & surprise jam session guests from down the years.

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Wednesday, September 05, 2018

CD Review: Johannes Berauer’s Hourglass

Johannes Berauer (composer); Thomas Gould (violin); Mike Walker (guitar); Gwilym Simcock ( piano); Martin Berauer (electric bass); Bernhard Schimpelsberger (drums, percussion).
(Review by Hugh C)
Johannes Berauer is an Austrian composer who incorporates many musical styles in his works, including classical avant-garde, jazz and world music.  For this recording of Hourglass, a quintet has been assembled comprising some of the most accomplished and versatile musicians on the scene.  Hourglass is Berauer’s first composition for jazz combo, as he normally composes in more large-scale forms.  The composition incorporates many influences including “Bach’s counterpoint, Messian’s sense for harmony, Indian rhythm language and M.C. Escher’s paradox views of reality”. 

Why Hourglass?  “The Hourglass represents an island in time…, it allows us to enter into a space of no distraction.  A personal space, a refuge in our otherwise overly hectic times.  This space is the nourishing ground for the creative mind, for the musician and the listener alike”.

In the Beginning kicks off at a brisk tempo with Gould’s soaring violin over a rhythmic percussive background.  Sequential more improvisational solo passages from Simcock’s piano, Berauer’s bass and Walker’s guitar follow as the music takes a more relaxed course.  One is reminded of a fast-flowing mountain stream, falling over a waterfall, before becoming a slower winding river in the flatlands below.  East does what it says on the tin and takes us in an oriental direction, commencing with – Schimpelberger’s konnakol vocal percussion over tabla and subtle manual exploration under the lid of the piano.   A full instrumental follows, with a tonality evocative of the mystic East.  Tryptich is presented (unsurprisingly) in three parts:  Secrets, Dreams and Phoenix.

Keep Up maintains the up-tempo rhythmic flow present through the majority of this composition thus far and follows the pattern of sequential improvisational solo passages interspersed by full ensemble playing set in In the BeginningEndless Time commences with a thoughtful solo passage on piano which sets the overall pace for this altogether more relaxed track.  Time almost seems to stand still during the eight minutes or so of its duration.  Nocturne is similarly laid back, as you would expect from the title.  At nearly eleven minutes this is the longest track on the CD.  The subtle melodic melange of the quintet brings a certain dream-like quality to this piece.  Invention commences with another percussion solo, this time on pitched cowbells, then joined by bass, piano, violin – this is a chorale, distinctly after JS Bach, but in five time.  Spiral winds up the CD with an atmospheric and uplifting piano and violin duet before the sand finally runs through.

This is a must-have CD (but don’t tell the jazz police) - it is simply great music, beautifully composed, but delivered with improvisatory flair by a quintet of top-notch musicians.  Johannes Berauer’s Hourglass is available on the Basho label (Basho Records SRCD 55-2)

The Quintet are currently touring the album -  I was privileged to be at the world premiere (a concept perhaps not celebrated enough in jazz) in Ambleside  - and appear at Kings Place, September 5 and at Stapleford Granary, September 6.  Two further dates in December are also listed at RNCM, Manchester (6th) and Attenborough Centre, Leicester (7th). 
Hugh C
A studio version of Keep Up can be savoured here: 

2 comments :

Lance said...

Hugh, re your comment on jazz world premieres, at the recent Ushaw Jazz Festival there were at least eleven world premieres - maybe more!

Hugh C said...

So I understand. I think it was Paul Edis who noted that (in contrast to the classical world) highlighting a world premiere performance in the jazz world was rare event.

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