Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, September 22, 2018

Babelfish @ The Jazz Café, Newcastle – Sept. 20

Brigitte Beraha (vocals); Barry Green (piano); Chris Laurence (bass); Paul Clarvis (drums)
(Review by Steve H/Photos courtesy of Ken Drew). 
A rainy night in Newcastle was brightened up considerably by my attendance at this rather charming gig. Brigitte Beraha is a very versatile singer with a wide range of styles ranging from free improvisation to more conventional straight-ahead singing.
The Babelfish project casts her more in the latter genre but there was still plenty of room left to improvise and use her voice as an additional instrument rather just a reproducer of lyrics. Being multilingual we were also treated to songs in both Italian and Spanish.
Babelfish’s repertoire consists of original compositions from co-band founder Barry Green and Beraha herself as well as standards such as Chasing Rainbows (the title of their second album). During the interval, I discussed with another member of the audience as to how I wasn’t keen on the mix of folk and jazz. Lo and behold, the second set featured a version of Benjamin Britten’s adaptation of the folk song The Stream in the Valley, which did nothing to change my opinion that jazz and folk go together like Marmite and candyfloss.
Several of the self-penned tunes were related to poems and novels such as Hobi, a character in the Donna Tart novel The Goldfinch, and It May Not Always Be So - an E.E Cummings love poem.  
Contents aside the most enthralling part of the evening was the way the band jelled so effortlessly with one and other. Paul Clarvis is a wonderful sympathetic percussionist and the playing of veteran bass player Chris Laurence was worth the price of admission alone. Beautiful and subtle with a gorgeous tone made even more impressive by the fact that the instrument he was playing was his ‘travelling’ double bass. The spike had the unfortunate habit of collapsing every so often.
A richly deserved encore was called for and appropriately the band played their eponymous tune Babelfish to close the evening. Sadly, there were no rainbows to chase on the way home as the rain came pouring down but the quality of the evening more than compensated for my unwanted soaking.
Ken Drew's photo album.
Steve H.

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