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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.


16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...


Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, September 10, 2018

Ambleside Days – A Contemporary Jazz Festival - August 30 - September 2

(Review by Hugh C.)
WOW!  Another very special festival.  Derek Hook and his team triumphed again, bringing together a lyrical constellation of musicians, plucked from the jazz firmament, for this, the second Ambleside Days Festival.  The festival ran over four successive days, with the same arrangements as last year:  a one hour concert at 7.30pm followed (after a half-hour interval) by a 90-minute performance by a different ensemble.  Many of the musicians were involved in more than one of the performances over the duration of the festival.  Gwilym Simcock (piano) and Mike Walker (guitar) popped up in many different ensembles and were also heavily involved in organisational aspects of the festival. 
Cinema 1 at Zeffirellis, in the heart of Ambleside (itself the at the heart of the Lake District) was converted into a compact, but comfortable concert venue for the duration with transfer of the Steinway grand piano from the guest lounge of Derek Hook’s Yewfield guest house and installation of a maze of cables and microphones linked to an impressive digital mixing desk ably managed by sound engineer, Paul Allen.

In addition to the main events in Cinema 1, there were early evening small group performances (a form of musical hors-d’œuvre) in the adjacent Jazz Lounge commencing with Jazz Piano on Thursday; Jason Rebello, Yuri Goloubev and Asaf Sirkis on Friday; the John Helliwell Trio (pictured above courtesy of Hugh C) on Saturday and Nikki Iles and Guests on Sunday. 

On Saturday Afternoon we were also treated to two full 45-minute sets by multi-reed specialist Paul McCandless (co-founder with Ralph Towner of the innovative jazz quartet, Oregon) with the Californian, Bay Area-based, trio Charged Particles.  On the Friday afternoon Tim Garland gave a presentation on the recording (in four separate studios) of his latest CD, Weather Walker – inspired by the Lake District and its geology.  We were treated to a visually stunning short film created by photographer and mountaineer Alastair Lee set to music from the album and then to 30 minutes or so of music from the album in cinematic 5.1 surround sound.  The film can be viewed here: 

(Photos that follow are courtesy of David Forman -

Day 1, Thursday

The first concert of the festival: there was a palpable air of expectancy in the house, with a quiet hubbub of conversation as the audience filed in from the bar area through the entrance to Cinema 1.  Derek Hook introduced the festival and the first group of musicians.

Gwilym Simcock (piano), Mike Walker (guitar) and Asaf Sirkis (percussion) formed the Ambleside Days Trio, who commenced with a rendition of Ambleside Days by the late John Taylor followed by a continuous hour of music including tunes by Caldera and Michael Franks.  I’m sure there was a touch of Impossible Gentlemen in there as well, perhaps not surprising as two of the constituent members were on the stage!

After the break the Tim Garland Quartet took to the stage (Tim Garland – reeds; Jason Rebello – piano; Yuri Goloubev – double bass;  Asaf Sirkis – percussion) for a blistering performance of items from Garland’s latest CD, Weather Walker (rearranged for quartet from the original strings) and from his CD back catalogue including One, Via and Songs to the North Sky.
Day 2, Friday

Paul McCandless with Charged Particles (Paul McCandless - reeds; Murray Low – keys; Aaron Germain – bass; Jon Krosnick – drums) started the evening’s event with a selection from McCandless’ extensive (30 albums as leader!) catalogue.  Particularly impressive in this set was Krosnick’s array of brassware with a grand total of seven cymbals, all liberally used to good effect!

After a major stage re-arrangement during the “intermission” the Joe Locke Band took to the stage (Joe Locke – vibes; Gwilym Simcock – piano; Mike Walker – guitar; Alyn Cosker – drums; Darryl Hall – bass).  The band played with the projection of unrelated, but effective, black and white scenes of vintage New York and circus performers.  Part way through the band was joined on stage by Special Guest, Claire Martin for a jazz rendition of Ticket to Ride followed by a Locke/Martin duet with lyrics by Joe Locke to his instrumental number Make Me Feel Like It’s Raining, and renamed A Little More Each Day

Day 3, Saturday

After a poetic introduction by Derek Hook reading Questions About Angels (by Billy Collins):  “one female angel dancing alone in her stocking feet, a small jazz combo working in the background”,
Claire Martin with the Nikki Iles Quartet commenced the evening’s entertainment.  The band was introduced by Claire Martin:  Nikki Iles, “miles of smiles”  - piano; Mark Lockheart – saxophones; Alyn Cosker – drums; Darryl Hall (“we’ve only just met”) - bass.  The material chosen by Martin was, simply, her favourite songs, sung in her inimitable style, irrespective of their origin.  Mike Walker joined as special guest.

After the extended bar-break, the eponymous Johannes Berauer’s Hourglass took to the stage but without Johannes Berauer, the composer of the music, who sat with the audience.   The Hourglass comprises Thomas Gould – violin; Martin Berauer – bass; Bernhard Schimpelsberger – percussion; Gwilym Simcock – piano; Mike Walker – guitar.  The audience were treated to a world premiere:  the first live public performance of their recently released recording on the Basho label.  The audience was transfixed by an electrifying performance and rose to a standing ovation at the end. 

Day 4, Sunday

The Gwilym Simcock Trio provided the first set, in Gwilym’s words, “a musical conversation with his mates” Yuri and Asaf.  The audience was privileged to sit and listen in. Topics covered included, Fred, Christina, Alan Taylor’s Between Moons and, when his mate Tim joined the conversation, A Joy Forever.

After the final intermission of the festival, it was time for the party!  The Ambleside Days Ensemble  (Thomas Gould, Mike Walker, Bernhard Schimpelsberger, Tim Garland), joined the trio. We were offered an array of treats, including jazzed up J S Bach, an item from the Hourglass premier – rewritten for the ensemble and conducted by the composer, and a frantic mechanical and vocal percussive duet between Asaf Sirkis and Bernhard Schimpelsberger which was effectively an old-style cutting contest – I declare it a draw!  The ensemble was joined by “saxophonist and local lad” John Helliwell for the final number.

Well, what more to say? What a fantastic event!  Everyone – organisers, musicians, musicians' relatives, audience were so friendly.  The musicians, particularly (but not exclusively) those attending the festival or playing in Ambleside for the first time, emphasised how they felt part of one big musical family.  It would perhaps be iniquitous to pick out a favourite from the Festival, but if I had to name gig of the festival, and indeed gig of the year, it would be Johannes Berauer’s Hourglass

The musicians assembled in the bar before, between and after gigs and were happy to answer questions and talk to audience members.  The “merch” table, staffed by Christine Allen of Basho records had a large array of CDs and other festival memorabilia at very reasonable prices (all multiples of £5 for convenience).  I can now truthfully say of Ambleside Days 2018:  been there, done that, got the T-shirt!
And the good news is…
… it is planned to be repeated next year!

Hugh C.

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