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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old” - Jazz Journal, April 15, 2019,

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Postage

16034 (and counting) posts since we started blogging 15 years ago. 1041 of them this year alone and, so far, 73 this month (Nov. 27).

From This Moment On ...

November

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 7:30pm (7:00pm doors). Tickets: £25.00. inc. buffet. A Gatsby themed evening.
Thu 30: '58 Jazz Collective @ Hops and Cheese, 9-11 Tower St., Hartlepool, TS24 7HH. 7:30pm.
Thu 30: Jools Holland's R & B Orchestra @ Newcastle City Hall. 7:30pm.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. Guest band night: Mark Toomey Quintet (Mark Toomey, sax; Paul Donnelly, guitar; Jeremy McMurray, keys; Peter Ayton, bass; Mark Robertson, drums). 9:00pm.

December
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Paul Skerritt @ All Saints’ Church, Eastgate, Co. Durham. 7:00pm. Xmas Tree Fest.
Fri 01: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. SOLD OUT!
Fri 01: Nu Sound Brass @ Billy Bootlegger’s, Newcastle. 8:00pm. Free.
Fri 01: Struggle Buggy w. Jim Murray @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club. Free. A ‘Jar on the Bar’ gig.

Sat 02: Paula Jackman's Jazz Masters @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning. £25.00. Enrol at: www.jazz.coop.
Sat 02: Abbie Finn Trio @ Claypath Deli, Durham. 7:00pm.
Sat 02: Tenement Jazz Band @ John Marley Centre, Newcastle. Swing Tyne Winter Social. £8.00. + bf. Advance purchase only, no admission at the door. BYOB. Lindy hop workshop from 11:00am. £39.00.
Sat 02: Zoë Gilby Quartet @ The Masham, Hartburn Village, Stockton. 7:00pm. Feat. Noel Dennis.
Sat 02: Classic Swing @ The Nuthatch, 9 - 11 Bedford St, Middlesbrough TS1 2LL. 7:00-9:00pm. Classic Swing in trio format.
Sat 02: Paul Skerritt w. Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 02: Vermont Big Band @ Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet). Tickets available from WBFC’s Seahorse pub club house.
Sat 02: Milne-Glendinning Band @ Ponteland Social Club, Northumberland. 7:30pm. £18.00 (inc. stotties & soup supper). A fundraiser for Hexham Constituency Labour Party.
Sat 02: Durham Dynamics & Basement Jazz @ Kingsgate Bar & Café, Durham Students’ Union. 7:30pm. £5.00. (£4.50. concs.). ‘Fab & Festive’. A cappella & jazz. Abba, Mariah Carey & more.
Sat 02: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 02: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party night inc. buffet & special raffle. £3.00.
Sat 02: Groovetrain @ The Unionist Club, Laygate, South Shields. 9:00pm.

Sun 03: The Central Bar Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. The Central Bar Quartet plays Lou Donaldson’s Gravy Train. Featuring Jamie Toms.
Sun 03: Paul Skerritt @ Smith’s Arms, Carlton, Stockton-on-Tees. 7:00pm.
Sun 03: Johnny Hunter Quartet @ The Globe, Newcastle. 8:00pm.
Sun 03: Jam session @ The Schooner, Gateshead. 8:00pm. Free.

Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 04: Northern Monkey Brass Band @ People’s Kitchen, Bath Lane, Newcastle. From 5:30pm. On-street gig supporting the work of the People’s Kitchen charity. Wrap up warm! Donate!
Mon 04: Michael Young Trio w Lindsay Hannon @ The Engine Room, Sunderland. 7:00pm. Free.
Mon 04: James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £8.00.
Mon 04: Durham University Jazz Orchestra + Durham University Big Band @ Durham Castle DH1 3RW. 8:30pm. £6.00.; £5.00. concs; £4.00. DSM. ‘Jazzy Christmas’.

Tue 05: Customs House Big Band @ All Saints Church, Cleadon. 7:00pm. Concert in the church hall. BYOB.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Sid White. The best free show in town!

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 8:00pm. Free. Note later start time, concert performance (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Saturday, September 29, 2018

Journeys: Zoe Gilby Quartet @ St. Cuthbert’s Parish Hall, Crook – Sept. 28

Zöe Gilby (vocals); Andy Champion (bass); Mark Williams (guitar); Richard Brown (drums).
(Review by Jerry).
Zöe Gilby, on the sleeve-notes of her latest CD (which I bought and which I would recommend), urges the listener to “enjoy the journey”. The same applies to her live gigs where, thanks to her eclectic tastes and her commendable reluctance to play safe, it is always destination unknown.
Journeys were a bit of a theme tonight with blues (Travellin’ and West Coast), nostalgia for Dublin, adventures - Byker to the Metropolis and, via Caravan, to Marrakesh (Red City) – before re-entering Crook.

The composers, the playing and the singing too, are also a delightfully unpredictable mix. Where else would Brubeck rub shoulders with Phil Lynott, or Lieber and Stoller with Nick Cave? How many guitarists can switch as easily from jazz to rock (or even pop) sounds, from subtle chording to intricate solos, as Mark Williams? On West Coast Blues his solo had rhythms going on which prompted my (amateur) guitarist friend to say, “It’s like he’s playing two guitars at once!” Messrs. Champion and Brown had their limelight moments too: Andy on the voice/bass duo, Weaver of Dreams, which opened the second set and laying down the ominous bass riff which opened, and the scat & bass crescendo which closed, Red Right Hand; Richard Brown drove Caravan along and soloed impressively. His bass-drum was also the beating heart of the fabulous closing number, Red City.

And Zöe? Where to start? You know one thing for certain from the opening note: Zöe does not do bland. For her, a good song (and she only picks good ‘uns!), is not merely to be sung - it is a piece of musical theatre to be performed. Her vocal range goes from soprano to somewhere south of my boot-straps; she loves scat (which she does brilliantly) and produces sounds which raise the hairs on the back of the neck – from a wail to a whisper, from a train-whistle or a siren (in either sense of the word) to a sigh, from sultry (Some Cats Know) to sensitive (We Eat Together) to scary (Red Right Hand and On the Edge).

I’ve mentioned Travellin’ Blues which was followed by an original called Find the Secret. Next up was A Song for You by Leon Russell(?). Then, an up-tempo number whose lyrics appeared to be an ode to saturated fat (but I didn’t get the writer or the title) was followed, naturally, by an original entitled We Eat Together which was, in fact, a beautiful love song. We also had some Monk with Rhythm-a-Ning (much scat and hectic bass and guitar solos); some Peggy Lee, with Some Cats Know (featuring that wonderful American idiom: “If I had my ‘druthers”). I refuse to believe that Lieber and Stoller were only writing about turning out the perfect apple-pie and I think that a version sung by Mary Berry would surely not have the same effect! The set then closed with the aforementioned Wes Montgomery tune, West Coast Blues.

The second set opened with a so-quiet-you-could-hear-a-pin-drop moment with Weaver of Dreams then, unpredictable as ever, we were introduced in an original called On the Edge, to a mad, stalking fantasist (a Kathy Bates as in Misery style character). This was spookily effective with coyly quiet vocals rising to a shriek, and some excellent drumming fuelling the drama. There was more Monk, with In Walked Bud and a moody, haunting original called The Midnight Bell. The beautiful, Red Headed Girl is a lyrical, moving original dedicated to Zöe’s mother which featured an excellent bass intro from Andy.

My apologies for seeming to sprint through so many tunes but there were 17 altogether and I wanted to save space for three which stood out for me. Nick Cave and the Demon Seeds’, Red Right Hand, is a genius song which has prompted more interpretational debate than Hotel California and American Pie put together. Cave’s guitarist simply described it as “unknowable and spooky” – I’d go along with that. The quartet nailed that mood in a performance oozing with menace. “You’ll see him in your nightmares,” said the lyric: I really fear that I might. Mack the Knife is a nursery rhyme by comparison! The second was the Phil Lynott song – more a poem set to music in my opinion – Dublin. I didn’t know this song at all, so thank you, Zöe – it’s a gem! Check out the words on Google: there aren’t many of them and they are deceptively simple but they encapsulate so much about lost love, friends and family and the love of one’s roots – even if it is a city which “brings you down”.

And finally….Red City is a clear reason why you should buy the CD because I do not think my words can do it justice. Inspired by a visit to Marrakesh it is a “sound-painting” of a city which is vibrant and mysterious, exotic and bustling. The opening made me think of chanting from minarets, suggesting the spirituality of the place, the bass drum gave the city’s “pulse”, the guitar (with pedals) was haunting. Zöe deployed her whole vocal range and even made evocative sounds which were non-vocal – just breathing into the mic’ like a warm wind. My last scribbled note was “Wow!” and is as near as I can get to doing it justice. You really have to hear it.

Thanks to all at Crook. I loved the three-branched candelabra, by the way!

Jerry

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