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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Thursday Night Prayer Meeting w. Bloodsong @ the Globe, Newcastle. 7:30pm. Free. (donations welcome).
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Helen Walker (French horn/trumpet) & Caroline Guirr (piano) @ St. Andrew's Church, Corbridge. 2:00pm. Duo concert by two members of 'The Wild Women of Wylam'. Part of the annual Christmas Tree Festival.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Saturday, September 22, 2018

CD Review: John Scofield and Combo 66.

John Scofield (guitar); Gerald Clayton (piano,/organ); Vicente Archer (bass); Bill Stewart (drums). 
(Review by Steve T).
Given that there's probably more guitar players than every other instrument put together - such is the scale of the rock and roll mythology - it should come as no surprise that there appears to be no shortage of emerging guitarists, including in jazz.
My friends in the guitar community assure me it all comes down to whether they got an Oasis or a Take That, though I suspect the best didn't care much for either.  
I often think jazz guitarists have an advantage over other jazz musicians because they appeal to the vast guitar community as well as jazz enthusiasts.
McLaughlin and Metheny have legions of fans and sell in quantities most jazz musicians can only dream of. Another two with a loyal following are Mike Stern and John Scofield, both of whom (like McLaughlin) benefit from having played with Miles and selling to those people  which most rock guitarists could only dream of.
The former tends to stick to the rockier end of things, for which he has always been slated by some, while Scofield has always mixed it up, playing in a traditional style, but unafraid to rock it up when he felt the need, and so it is with his latest offering.
I always like to listen to an album I'm reviewing before reading what I'm supposed to think, so was thrilled by a guitar/organ pairing - my favourite combination with a jazz guitar (with the probable exception of jazz-rock) - though the unmistakable presence of a bass player hinted at some variety.  
By track two, Clayton has switched to piano and, while he flits between the two for the remaining eight tracks, the organ plays a less prominent role for most of the album. 
Nevertheless, it's excellent stuff for anybody who relishes a guitar/ keys/ bass/ drums combo. Some faster stuff, some ballads, some blues and great soloing from all, especially the leader, tastefully rocking it up on occasion but appealing to everyone, whether their preference is for Metheny or Stern. 
He also chucks in some space-age chords; very new and happening, like the post-Rosenwinkel guitarists who may not have been born when he played with Miles back in the early eighties.
New Waltzo is the rockiest and, for me, the most interesting track on offer, with an almost psychedelic feel and the organ reminiscent of Larry Young in the Tony Williams Lifetime.
But the whole album is strong, and with Scofield at sixty six (hinted at by the name of the band and album) and having recieved grammys for his last two albums, he seems to be enjoying a glorious late-period. 
Steve T.

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