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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 10, 2017

Sotavento Big Band @ The Globe - July 9

Across the road, at the Metro Arena, the American punk rock band Blink 182 had attracted a host of fans, many of whom were having pre-concert drinks at The Globe. On stage at the Jazz Coop HQ, the Argentinian jazz tango group known as the Sotavento Big Band were ready to unleash their unique brand of swing.
The SBB replaces the conventional trombone section with three tenor saxes and the trumpet section with one tenor sax and two clarinets. It sounded strange hearing Basie's Splanky without the brass but by the time Jumping at the Woodside had been and gone our ears were accustomed to it.
Debra Milne, one of the Jazz Coop's guiding lights, joined the band for Lady is a Tramp and Black Coffee. Debra, who has an affinity for Latin music, was in typical voice only marred by the uneven sound balance - a problem that plagued the whole evening - and I was sitting at the front!
The pure jazz was done for this set and the tango took over and with it the dancers.
Tanguera was a delightful mix of tango and jazz with the latter proving quite sensual for the dancers.
Vocalist Patricia Leguizamon stepped up for City Tango, Romance de Barrio and Nada. Lovely voice but, again, the balance didn't do her any favours.
Intermission.

Upstairs there was more tangoing.
Downstairs the second set kicked off with Patricia singing S'Wonderful, Bye Bye Blackbird and Sweet Georgia Brown. There was some twiddling going on at the mixing desk which made for marginal improvement, but only marginal.
Back to the tango and Años de Soledad; La Oportunidad; Lluvia de Estrellas; La Trampera and La Arenosa brought the show to a close except it didn't! The audience demanded and got not one but two encores - Volveras Signoras a San Juan (I think!) and Libertango.
Director and alto saxist Firmenich wailed on alto with lots of bluesy overtones. Sisneros impressed on clarinet and the rhythm section was on fire. There were also tenor solos although I wasn't sure who was who. Patricia I've already mentioned; she looked good and sounded good, at least from the front row!
Despite the sound problems, it was Una noche muy especial!
Photos.
Lance
----- 
Director
Gustavo FIRMENICH

Línea de Saxos
Gustavo FIRMENICH (Saxo Alto)
Andres VELTRI (Saxo Tenor)
Miguel BENSADÓN (Saxo Tenor)

Línea de Trompetas 

Sergio CISNEROS (Clarinete)
Florencia CRNKO (Clarinete)
Horacio BALDASSARRE (Saxo Tenor)

Línea de Trombones
Fernando CASTEL (Saxo Tenor)
Duilio GIRI (Saxo Tenor)
Sergio RISOLI (Saxo Tenor)

Sección Rítmica
Fernando CRESPO (batería) 
Ezequiel ANGELERI (guitarra)
Cristian COR (bajo)
Enrique GALLO CALDERON (piano)

Voz
Patricia LEGUIZAMÓN

1 comment :

Patti D (on F/b) said...

Excellente, Señor Lance Liddle! And this other Patricia enjoyed this unique mucho especiale noche - with excuses for badly remembered Espanol!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance