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Farewell Blues

A quiet month so far...

Bebop Spoken There

Joe Daley: "We [Daley & Sam Rivers] did an entire tour, and nothing was discussed other than what time was dinner" - (JazzTimes Sept. 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14644 (and counting) posts since we started blogging 14 years ago. 922 of them this year alone and, so far, 21 this month (Oct.6).

From This Moment On ...

October

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 07: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 07: Hannabiell & the Midnight Blue Collective + Knats @ Dance City, Newcastle. 7:00pm. £15.00. (£12.50. student).
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. 'Celebrating Oscar'.
Fri 07: Mick Cantwell Quartet @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.
Fri 07: Anth Purdy @ Waterford Arms, Seaton Sluice. 8:00pm.
Fri 07: Rob Heron & the Tea Pad Orchestra @ Forum Music Centre, Darlington. 8:30pm.

Sat 8 Oct, Vieux Carré Jazzmen @ The Buck Inn, Thornton Watlass, Ripon HG4 4AH. 12.20pm. NOTE SATURDAY GIG AS OPPOSED TO REGULAR SUNDAY GIG. COACH FROM WHITLEY BAY NOW SOLD OUT!
Sat 08: Paul Skerritt w Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 08: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.
Sat 08: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Maureen Hall's monthly residency one week later than usual.

Sun 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 09: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 09: Chip Wickham @ The Cluny, Newcastle.
Sun 09: Blue Jazz Quartet w Rivkala @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 10: Central Bar Quintet plays Blue Train @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 11: Dean Stockdale Trio @ Forum Music Centre, Darlington. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 12: 4B @ The Exchange, North Shields. 7:00pm.
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 13: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 13: Hypothetical: Works Inspired by the Black Lives Matter movement @ King's Hall, Newcastle University. 1:15pm. Free.
Thu 13: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 13: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. The Mark Toomey Quartet with Mark Toomey (alto sax) Jeremy McMurray (piano) Peter Ayton (bass) Paul Smith (drums).

Sunday, July 02, 2017

CD Review: Thelonious Monk Quintet - Les Liaisons Dangereuses 1960.

Thelonious Monk (piano); Charlie Rouse, Barney Wilen (tenors); Sam Jones (bass); Art Taylor (drums).
(Review by Lance).
A previously unreleased double album by Monk is quite an event. Not that some of the music hasn't had previous exposure - 30 minutes of it provided the soundtrack for Roger Vadim's 1960 movie Les Liaisons Dangereuses 1960. The remaining 45 minutes comprise alternate takes and extended versions of the ones used in the film. Familiar Monk tunes but, no less interesting because of that.
The two tenor front-line numbers gave them a different dimension. Rouse's easily identifiable, angular lines contrasting with Wilen's more rounded but less virile sound. Rouse, who knew Monk's music better than anyone bar the great man himself, was always at home with the often unexpected twists and turns conjured up by the composer. Frenchman Wilen, 22 at the time, also coped well on the 4 tracks he appears on whilst Jones, later to become a linchpin of the Cannonball Adderley Quintet and Taylor, one of the most prolific drummers of the period, rounded it off perfectly - that is, if any Monk session could be described as being rounded off!
Rhythm-a-Ning (2 takes); Crepuscule with Nellie (2); Six in One; Well You Needn't (2); Pannonica ( 2 solo piano/1 quartet/1 quintet); Ba-Lue Bolivar Ba-Lues-Are; We'll Understand it Better By and By; Light Blue (2 inc. a segment of rehearsing the rhythm Monk wanted).
Monk didn't write anything specifically for the film. Instead, he played the above pieces which invariably ran over the timing allotted to coordinate with the on-screen events and it was left to the producers to edit the music to fit. We get both versions here.
It's absolutely essential for any Monk fans and well worth a listen for any modern jazz fans of the era.
As a bonus, let me say that the 56-page booklet accompanying the discs is probably the most informative booklet I've seen in recent years - and it's readable!
Articles by Alain Tercinet, Robin D.G. Kelley and Brian Priestley coupled with many photos - both black and white and colour -, scribbled notes from the Nola Penthouse Sound Studios in New York (111 W. 57th St.) where the music was recorded on July 27, 1959, combine to make this a very memorable and collectable album which is also available on a 2 LP vinyl package.
All I need to do now is watch the film...Highly recommended.
Lance.

1 comment :

Russell said...

Anthony Troon's five star review of Monk's album in the July issue of Jazz Journal concurs with your review. Troon concludes 'unmissable'.

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