Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Saturday, June 24, 2017

Paul Skerritt Band @ Jazz Café - June 23

Paul Skerritt (vocal): James Harrison (piano); Anth Ord (bass guitar); Tom Chapman (drums).
(Review by Lance).
Skerritt has acquired a beard since the last time I saw him. He's also just come off his honeymoon so I guess shaving isn't his top priority in the mornings. In celebration of the nuptials, a tray of Rice Crispy based wedding cake was offered around and, it has to be said, it was the best Rice Crispy based wedding cake I've ever tasted bar none. Come to think of it, it's the only Rice Crispy based wedding cake I've ever tasted! It was still delicious - as was the music.
Putting on the Ritz got the party underway and it was quite a party. This band don't do subtle or maybe they do but perhaps it's so subtle only the most keenly attuned ears notice it and you don't get many keenly attuned ears in The Caff on a Friday night.

Georgia on my Mind (I'm never quite sure whether the lyric refers to a woman or the American state) had a semblance of subtlety, particularly in Harrison's fill-ins. They're often amusing but always relevant. He's a showboater but one who can certainly play. His technique and ideas constantly developing from gig to gig.
Hooray For Love, an out and out swinger, kept the feet a tapping and begged the question, "Who's this Curtis Stigers anyway?"
Black & Gold moved into more contemporary waters with an impressive blast from Ord. The two coke [cola] heads, Ord and Chapman were Gibraltar-like in support throughout. 
Misty featured more bass work whilst the opening line to the next number, What a day this has been, what a rare mood I'm in, why it's Almost Like Being in Love summed up the night so far and it was far from over. Harrison at the top of his game, a musical jack in a box, Skerritt, swinging and singing and ring-a-ding-dinging, Ord and Chapman firing on all cylinders - my kind of band.
Gregory Porter's Take me to the Alley took on a more serious note and caused me to reflect that the words could relate to some of the alleys not too far from Pink Lane.
Goody Goody, I'm sure Ann Alex could write about this tit for tat song of gloating. "You gave him your heart too, just as I gave mine to you, and he broke it in little pieces, now how do you do?"
Priceless!
Priceless too was the exchange of fours.
The set finished with a frantic version of Sway which saw a couple, who shall be nameless, tripping the light fantastic. Move over Fred and Ginger, meet George and Mary.
Time for the aforementioned wedding cake and more ale to be purchased.
The trio kicked the second set off with I Wish I Knew How it Felt to be Free before the most surprising number of the evening. Taylor Swift's Shake it Off. Harrison moved over to the upright and displayed his qualifications as a Ragtime Professor. Even Taylor Swift in a white tutu couldn't top this!
American Girl; Daft Punk's Get Lucky; Come Fly With me; Rodgers, Hart and Skerritt's Gentleman [Lady] is a Tramp and Have You Met Miss Jones? brought my evening to a close.
It had been quite an evening.
Lance.

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