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Bebop Spoken There

Brian Harvey: "The exciting day arrived and we [as under age school boys] snuck into the [pub's] rehearsal room, sat awkwardly to attention on hard chairs in a row facing the band and heard our first - very loud - live jazz. What an occasion that was - we even drank beer because we understood that's what jazz people did and that's what the band were drinking." - (Just Jazz June 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

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As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, June 24, 2017

Paul Skerritt Band @ Jazz Café - June 23

Paul Skerritt (vocal): James Harrison (piano); Anth Ord (bass guitar); Tom Chapman (drums).
(Review by Lance).
Skerritt has acquired a beard since the last time I saw him. He's also just come off his honeymoon so I guess shaving isn't his top priority in the mornings. In celebration of the nuptials, a tray of Rice Crispy based wedding cake was offered around and, it has to be said, it was the best Rice Crispy based wedding cake I've ever tasted bar none. Come to think of it, it's the only Rice Crispy based wedding cake I've ever tasted! It was still delicious - as was the music.
Putting on the Ritz got the party underway and it was quite a party. This band don't do subtle or maybe they do but perhaps it's so subtle only the most keenly attuned ears notice it and you don't get many keenly attuned ears in The Caff on a Friday night.

Georgia on my Mind (I'm never quite sure whether the lyric refers to a woman or the American state) had a semblance of subtlety, particularly in Harrison's fill-ins. They're often amusing but always relevant. He's a showboater but one who can certainly play. His technique and ideas constantly developing from gig to gig.
Hooray For Love, an out and out swinger, kept the feet a tapping and begged the question, "Who's this Curtis Stigers anyway?"
Black & Gold moved into more contemporary waters with an impressive blast from Ord. The two coke [cola] heads, Ord and Chapman were Gibraltar-like in support throughout. 
Misty featured more bass work whilst the opening line to the next number, What a day this has been, what a rare mood I'm in, why it's Almost Like Being in Love summed up the night so far and it was far from over. Harrison at the top of his game, a musical jack in a box, Skerritt, swinging and singing and ring-a-ding-dinging, Ord and Chapman firing on all cylinders - my kind of band.
Gregory Porter's Take me to the Alley took on a more serious note and caused me to reflect that the words could relate to some of the alleys not too far from Pink Lane.
Goody Goody, I'm sure Ann Alex could write about this tit for tat song of gloating. "You gave him your heart too, just as I gave mine to you, and he broke it in little pieces, now how do you do?"
Priceless!
Priceless too was the exchange of fours.
The set finished with a frantic version of Sway which saw a couple, who shall be nameless, tripping the light fantastic. Move over Fred and Ginger, meet George and Mary.
Time for the aforementioned wedding cake and more ale to be purchased.
The trio kicked the second set off with I Wish I Knew How it Felt to be Free before the most surprising number of the evening. Taylor Swift's Shake it Off. Harrison moved over to the upright and displayed his qualifications as a Ragtime Professor. Even Taylor Swift in a white tutu couldn't top this!
American Girl; Daft Punk's Get Lucky; Come Fly With me; Rodgers, Hart and Skerritt's Gentleman [Lady] is a Tramp and Have You Met Miss Jones? brought my evening to a close.
It had been quite an evening.
Lance.

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