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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Friday, June 23, 2017

Group Theory @ The Jazz Café - June 22

Dan Garel (alto saxophone), Matt Jacobs (piano), Dylan Purches (double bass) & Tristan Bacon (drums)
(Review by Russell)
The previous evening the magnificent Durham University Big Band brought the house down. This small group session promised to do the same. Four musicians from DUBB returned to play tunes written by alto saxophonist Dan Garel interspersed with a selection of jazz standards. One of the quartet is about to graduate, two have a final year ahead of them, and the fourth member is about to complete his first year at Durham University.
Garel’s Symmetries opened a long, one set, programme. Alto saxophonist Garel demonstrated an amazing command of his instrument, possessing an incisive, biting tone. Garel took a look at Have You Met Miss Jones? turning it inside out with his band mates right there; pianist Matt Jacobs sat listening, playing when necessary, giving Garel room to stretch out, drummer Tristan Bacon (a fine big band drummer) revealed a small group sensitivity (brushes and mallets in evidence during the evening), and bass player Dylan Purches appeared unperturbed throughout. 

Several of Garel’s compositions have yet to be given a title, one, Modal Comp, did what it said on the tin. On Green Dolphin Street hit the spot, Garel, one imagines, could have held his own on the stand at any one of the long-gone 52nd Street haunts. Bacon used mallets from beginning to end to great effect on Garel’s Eight Weeks, the group cohesion admirable on this number, and indeed, the entire set.
A rip-roaring Night in Tunisia, an untitled Afro-Cuban piece, Garel’s tasty Pumpkin Vermicelli, just how good are theses guys? The quartet agreed that Wayne Shorter’s Footprints was an ace tune, they played it, top stuff! Group Theory are well worth catching. They’ll be playing gigs in Durham – the Empty shop is a good bet – although the soon-to-graduate Matt Jacobs is to depart, beginning a new chapter in his life, necessitating a change in personnel, perhaps a change in instrumentation but regardless of change, go hear Group Theory.
Russell.

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