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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 10, 2017

Young, Gifted and Back (In Crook). The Early Bird Band @ St. Cuthbert’s Parish Centre, Crook. Friday June 9.

Paul Edis (flute, saxophone, MD); Ben Lawrence (piano); James Metcalf (trumpet); Alex Thompson (alto); Matthew Downey (guitar); Alex Shipsey (bass guitar); Matthew MacKellar (drums).
(Review by Jerry E)
Young? “Average age 15?” suggested the MD. This seemed to ruffle the feathers of band members and after much head-scratching and mental maths they came up with “about 17”. I still think that’s young to have built up so much experience and to perform jazz live with such maturity. This stems from the excellent rapport between band members and their MD, who invariably treats them like fellow professionals rather than young tyros. Age established, they launched into I’ll Remember April on which James Metcalf soloed impressively as did everyone else (if you count trading fours) apart from the guitarists whose opportunities soon came with Matthew Downey taking the lead on Nature Boy ditto Alex Shipsey’s bass on So What?
Gifted? After the tight ensemble playing and the aforementioned solos in the first four numbers (Eddie Vinson’s Four was the other) no-one can question the talent. MD, Edis, takes it as read, preparing them “in true jazz style” with “very little direction” allowing them to spread their wings which they did on “the band’s anthem”, Lady Bird. All were flying now, having really relaxed into the gig.
Blue Bossa followed and was, briefly, my favourite tune of the set with appealing harmonies from the combination of flute, alto and trumpet. I say “briefly” because it was swiftly ousted by the next-but-one tune, the set-closer Blues Walk. Yardbird Suite, the penultimate number, was mighty good as well with Alex Thompson impressive on alto (not for the first time this evening!).
Blues Walk illustrated the adaptability of the musicians, performed as it was with “a bit of a New Orleans thing going on”. There were duelling saxophones, a section where keys, guitars and drums went silent leaving just the horns centre stage and more fours with Matthew MacKellar reminding us again how much Bebop readers’ loss will be Berklee’s gain! Adaptability was seen too when the guitarists and Ben Lawrence (excellent contributions all night) slotted straight into the big band set which followed the interval.
All in all, an excellent set, well received.
Jerry.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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