Total Pageviews

Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, June 20, 2017

CD Review: Small Town - Bill Frisell (guitar) and Thomas Morgan (bass).

(Review by Steve T)
When reviewing an ECM album one inevitably finds oneself reviewing the label as well as the artist and the album. Occasionally I find I can't review them at all, because any link with Jazz is distinctly tenuous and I really can't recommend it to anybody, and so it was with the last two. It's based on the assumption that ECM completists have their own sources and don't need to rely on me for info about releases.
Any album by Bill Frisell is potentially of interest to the Jazz listener and guitarists in particular, but I can't get excited by an album with just guitar and bass. A drummer, or better still a Hammond, may have added some ba!!$; maybe.

Even Peter Green’s Albatross had some light percussion and this is like listening to an album-length version of that, but without the memorable tune, or at least one the media have bombarded us with over many years until you know it backward.
At last on the final track it delivers an Albatross in the shape of Goldfinger, for me the most over-rated of the early theme songs (and Connery films); I always preferred Diamonds are Forever which is almost a decent song in its own right.
It's live, out now and perfectly pleasant. Just don't expect it to hold a mirror to society or tear down the 'greedy square system'.

Steve T.

No comments :

Blog archive