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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14865 (and counting) posts since we started blogging 14 years ago. 1114 of them this year alone and, so far, 20 this month (Dec. 6).

From This Moment On ...

December

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 13: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).
Tue 13: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, John Pope, John Bradford.
Tue 13: Abbie Finn Trio @ Forum Music Centre, Darlington. 7:30pm. Xmas party.
Tue 13: King Bees @ Cumberland Arms, Newcastle. 8:00pm. Superb Chicago Blues Band.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 14: 4B @ The Exchange, North Shields. 7:00pm.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

15: Paul Skerritt @ Durham Market Place DH1 9SH. From 11:00am.
Thu 15: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'. SOLD OUT!
Thu 15: Jo Harrop & Paul Edis: When Winter Turns to Spring @ King's Hall, Newcastle University. 1:15pm. Free. Edis replaces the previously advertised Jamie McCredie. Free.
Thu 15: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 15: After Hours Student Jazz Jam @ The Globe, Newcastle. 8:00pm. Dir. Jason Holcomb.
Thu 15: Paul Skerritt Band @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Free.
Thu 15: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Wednesday, June 21, 2017

Mahler, Schoenberg and Finzi by Durham University Orchestral Society @ Durham Cathedral, June 17

(Review by Steve T)
To misquote a famous John, 'before Schoenberg there was nothing'. Just like before Elvis there were men, they just didn't have moving legs, there was music before Schoenberg, it was just the nice, pretty, fluffy type aimed at posh, rich men to conduct along to.
Schoenberg is the composer most associated with atonality, who deliberately set out to make difficult music to challenge the listener, which didn't comply with rules laid down by Bach and Handel and the moon and stars before them. Like the best Jazz, and his peers and followers were influenced by Jazz artists who were in turn influenced by them.
Robert Wyatt, original drummer with prog/jazz/rock band Soft Machine drew a line from Schoenberg, through Cecil Taylor to punk rock so he must have missed the point of Schoenberg and Free Jazz. I know he didn't miss the point of punk rock because there wasn't one; while they were perhaps too clever for their own good, punk rock just wasn't clever at all.  

Part one was the Chamber Orchestra which began with a short, pointless piece by British composer Finzi called Romance. This was followed by Schoenberg’s Chamber Symphony no 2 which was written before his conversion but the second movement was significantly re-written after it, so it offered a contrast between early Schoenberg and the later crazy stuff, though, to these untrained ears, it was all pretty crazy.
Part two was the main event with the Symphony Orchestra playing Mahler’s Symphony no 1. Ironically, or maybe not, Mahler is thought to be the first composer to experiment in atonality, but died the following year.
Less cynically and more seriously, much pre C20th tonal classical music is difficult to contemporary ears trained to expect a verse and a chorus, and this was no exception, though long passages were interspersed with moments of real beauty and nothing quite sounds like massed violins, the juxtaposition of  plaissure and jouissance proving irresistible,  and Stravinsky, Miles with Gil, and Zappa were masters of this. 
It sounds idyllic: a lovely evening cooling down after the hottest day of the year so far, a building some consider the finest on planet earth, my loudest, brightest shirt and some of the poshest, cleverest, richest, most successful, most promising and most pretentious people anywhere. In real time, once you've admired the splendid building, watched the few fiddlers elbows you can actually see, it gets boring and, while I'd have stayed, I'm more used to this type of stuff than my way better half and we'd agreed five minutes of Mahler, so the opening movement and five minutes of the second seemed fair enough. 

Steve T.

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