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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Sunday November 19

Afternoon.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Tyne Horns - Exchange, Howard Street, North Shields NE30 1SE. 3:00pm. Free. New saxophone quartet – Louise Lambert (alto & tenor), Tom Adams (alto & soprano), Colin Wise (tenor) & Col Smith (baritone).

Mitch Laddie Band - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 3:00pm. Free. Blues band.

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Arun Ghosh + Steve Ojay - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30. Sage Two.

Big Muddy - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Paul Edis + Early Bird Band - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 416 2846. 8:00pm. £5.00. Edis solo piano set followed by the Early Birds.

Toots and Littlefield - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 21, 2017

Mahler, Schoenberg and Finzi by Durham University Orchestral Society @ Durham Cathedral, June 17

(Review by Steve T)
To misquote a famous John, 'before Schoenberg there was nothing'. Just like before Elvis there were men, they just didn't have moving legs, there was music before Schoenberg, it was just the nice, pretty, fluffy type aimed at posh, rich men to conduct along to.
Schoenberg is the composer most associated with atonality, who deliberately set out to make difficult music to challenge the listener, which didn't comply with rules laid down by Bach and Handel and the moon and stars before them. Like the best Jazz, and his peers and followers were influenced by Jazz artists who were in turn influenced by them.
Robert Wyatt, original drummer with prog/jazz/rock band Soft Machine drew a line from Schoenberg, through Cecil Taylor to punk rock so he must have missed the point of Schoenberg and Free Jazz. I know he didn't miss the point of punk rock because there wasn't one; while they were perhaps too clever for their own good, punk rock just wasn't clever at all.  

Part one was the Chamber Orchestra which began with a short, pointless piece by British composer Finzi called Romance. This was followed by Schoenberg’s Chamber Symphony no 2 which was written before his conversion but the second movement was significantly re-written after it, so it offered a contrast between early Schoenberg and the later crazy stuff, though, to these untrained ears, it was all pretty crazy.
Part two was the main event with the Symphony Orchestra playing Mahler’s Symphony no 1. Ironically, or maybe not, Mahler is thought to be the first composer to experiment in atonality, but died the following year.
Less cynically and more seriously, much pre C20th tonal classical music is difficult to contemporary ears trained to expect a verse and a chorus, and this was no exception, though long passages were interspersed with moments of real beauty and nothing quite sounds like massed violins, the juxtaposition of  plaissure and jouissance proving irresistible,  and Stravinsky, Miles with Gil, and Zappa were masters of this. 
It sounds idyllic: a lovely evening cooling down after the hottest day of the year so far, a building some consider the finest on planet earth, my loudest, brightest shirt and some of the poshest, cleverest, richest, most successful, most promising and most pretentious people anywhere. In real time, once you've admired the splendid building, watched the few fiddlers elbows you can actually see, it gets boring and, while I'd have stayed, I'm more used to this type of stuff than my way better half and we'd agreed five minutes of Mahler, so the opening movement and five minutes of the second seemed fair enough. 

Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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