Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Friday, January 22, 2016

Jazz Co-op @ The Globe: The Safe Sextet - January 21

Don Forbes (trumpet); John Rowland (ten sax); Paul Gowland (alto sax); Alan Law (piano); Paul Grainger (bass); Paul Wight (drums).
(Review by Ann Alex)
The band gave another of their stellar performances to a small but appreciative audience.  Enough said? No, Blogmaster Lance and the reputation of BSH demands much more of a review. Here goes.
Even the warm up cum sound check was fun, at least for the listener.  Much discussion about how many times to play the head for The Bridge, then a quick play through of an eastern-sounding tune, which I don’t think was played during the set, but I could be mistaken about that.
Don explained that they would play lots of Stan Tracy, including tunes from Under Milk Wood , and also numbers originally done by EmCee 5. The Bridge was written about the pub near the High Level Bridge, a good solid four square tune with useful silences and tenor, trumpet and piano solos; Downbeat After Dark reminded Don of when he was 17 and returning from nights out and the tune suitably moves down the scale to end quietly with the alto sax, clever stuff. The One That Got Away may refer to a drummer who escaped from a band and was a fast furious piece of many notes and an Ian Carr solo taken straight from the CD.  Penpals from Under Milk Wood was trumpet led, flowingly romantic, and I Lost My Specs In Nantucket weaved about neatly with a distinctly Monkish feel. Dobson’s Choice was another four square tune to round off the first set.
The second set opened with No Good Boyo and Under Milk Wood, the latter, a favourite of mine, slow, meditative, atmospheric, drums using brushes and light cymbals, horns in harmony, piano at the end.  Then a Scottish influenced Emcee5 number, Bell Blues (bluebells, get it?) military drumming, Scottish riffs on the horns, gradually showing more jazzy influences, low Scottish chords on the piano. There followed Stephenson’s Rocket with a Latin influence; John O’ Groats, the final tune in which no holds were barred, and an encore, on demand, a tricksy tune whose name I didn’t catch, too busy dressing for the metro journey.
Too many good solos to single anyone out and the set was well outlined by Don.  If you weren’t there you missed a treat.
Ann Alex

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