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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 13, 2015

The Misterioso Monk @ The Jazz Café – Dec 11

Graeme Wilson (tenor saxophone) & Paul Edis (piano)
(Review by Russell/Photo courtesy of Mike Tilley from a previous gig.)
The Jazz Café’s newly tuned piano awaited a night of Monk. The brethren congregated around the altar to hear some nutty crepusculian sounds courtesy of Thelonious Sphere.
The altar, dedicated to Bacchus, praise be, received the many supplicants, an evening’s cloistered contemplation in the presence of monks Wilson and Edis was upon us.
Graeme Wilson and Paul Edis were about to reprise their set of Thelonious Monk tunes first heard at the Jazz Café earlier in the year. The faithful occupied front row pews, the bacchanalian agnostics lashed themselves to the altar, they were ‘on the lash’. Monk in NYC played to the non-believers, Wilson and Edis were about to do the same. If Monk was looking down on the scene he would be smiling, shuffling to the rhythms (rhythms he gave to the world). Bright Mississippi, on the chords of Sweet Georgia Brown, began the sermon. The duo took Crepuscule with Nellie, then A Merrier Christmas and we, the brethren, received with thanks the offering. Stuffy Turkey (seasonally topical), a Trinkle Tinkle treat, a nutty Nutty, then off on a San Francisco Holiday (Worry Later said Monk) – this was something else! Masters at work, Graeme Wilson’s tenor full-toned, warm, an education for the aspiring, Edis in scintillating form, Monk’s wonderfully skewed logic, left hand stride, rooted in the rootie tootie of the blues.
The non-believers didn’t get it. They moved on. The disciples stayed on. Hornin’ In, the pensive Monk’s Mood, Four in One, the off-centre Off Minor, one after another, this put the gig up there with the best heard this year on Pink Lane. That was about it. Wilson and Edis have to do this again – TS Monk would insist upon it. Ba-lue Bolivar Ba-lues Are – if you have to ask, it don’t mean a thing. Just imagine, if the non-believers were able to hum a Monk tune as they made their way to the next two-bit boozer they might just turn a Brilliant Corner!
Russell.        

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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