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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17822(and counting) posts since we started blogging 17 years ago. 143 of them this year alone and, so far, 68 this month (Feb.25).

From This Moment On ...

February 2025

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

MARCH 2025

Sat 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00. Day 2/3.
Sat 01: TJ Johnson Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Get your funk on! Enrol at: learning@jazz.coop.
Sat 01: Shunyata Improvisation Group @ The Watch House, Cullercoats. 2:00-3:30pm. Free.
Sat 01: Ray Stubbs R&B All Stars @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 01: Lapwing Jazz Trio @ Three Sheets to the Wind, Alnwick. 5:15pm or 5:45pm (times tbc). Part of the Alnwick Story Festival's music fringe programme: Free.
Sat 01: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Blues band.
Sat 01: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 01: Joseph O’Brien: The Ultimate Tribute to Frank Sinatra @ Fire Station, Sunderland. 7:30pm. O’Brien & seven piece band (inc. Wendy Kirkland, Jim Corry & Pat Sprakes).
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Jack & Jay’s Vintage Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 02: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £10.00. Day 3/3.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Nauta @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm. Free (donations).
Sun 02: Side Café Orkestar @ Café Under the Spire, Derwentwater Road, Gateshead. 2:00pm. Free.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ The White Room, Stanley. 6:30pm.
Sun 02: Bella by Barlight @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 02: Tweed River Jazz Band @ Spittal Bowling Club, Berwick. 7:00pm. Free.
Sun 02: Ali Watson Quartet @ The Globe, Newcastle. 8:00pm.

Mon 03: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 04: Vieux Carré Hot 4 @ Victoria & Albert Inn, Seaton Delaval. Tel: 0191 237 3697. 12:30pm. £8.00. ‘Jazz ‘n’ Pancakes’.
Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Tue 04: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, December 04, 2015

Roly Veitch was right!

(By Dave Brownlow)
Responding to your recent re-blog of Roly Veitch’s conclusion that “the bass player is the most important member of the band” as a one-time bassist myself I can wholeheartedly agree! Roly’s comment set me thinking about some of the “greats” in jazz history and their bassists.
Tommy Potter was Charlie Parker’s first-choice bass player from 1947 – 51 for good reason. He had a light, bouncy, rhythmic tone - perfect for the Bebop Quintet Bird was developing then. Tommy’s sure-footed choice of notes helps listeners to know exactly ‘where you are’ in the chord sequence which must have given Charlie great confidence to launch into his Bird-Flights-Of-Fancy.
Ray Brown was a stalwart of Oscar Peterson’s Duos and Trios from 1949 – 1966 which provided a musical association of great benefit to both men. Ray had a formidable attack, a huge, rounded, sustained sound emanating from the centre or lower reaches of the bass soaring up into the cello registers in solos. His ‘time’ was rock solid – it needed to be to hold together Oscar’s at times break-neck playing within the group!
The great Bill Evans chose his bassists with care because he was looking for a musician who could be an “equal” in his conception of the piano trio in jazz. At the forefront was Scott La Faro whose association with Bill was tragically short. Scott’s sound was huge throughout all the bass range, his drive powerful and he took technique up to a new level. With the drummer, he was able to challenge the leader, and raise the tension in pieces, building up to resolution in dramatic ways.
Miles Davis’ long-time bass player was Paul Chambers who worked with the trumpeter through several of his career phases – namely The Quintets, The Gil Evans Projects and The Kind Of Blue Sextet. Paul’s playing was light toned, ‘springy’ and swinging and his note choice was more unusual because his bass-lines did not contain so many ‘root’ notes. As a result, the bass part was more free-flowing which made Paul one of the first players who could play competently within Miles’ idea of  using tunes based on modes, scales or one or two chords (i.e. So What).
Finally in this brief review of some of the “greats” and their bassists is Gary Peacock within the “Standards Trio” of Keith Jarrett. Gary had (and has) the most extravagant technical ability on the bass moving from strong ‘root’ notes into cello-like sorties into the upper reaches of harmony and indeed harmonics, taking risks even when just accompanying ! This constantly imaginative playing undoubtedly spurred on Jarrett to reach his more outrageous moments.
I believe these few examples from the history of jazz fully support Roly’s wise assertion!
Dave Brownlow

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