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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old” - Jazz Journal, April 15, 2019,

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Postage

16034 (and counting) posts since we started blogging 15 years ago. 1041 of them this year alone and, so far, 73 this month (Nov. 27).

From This Moment On ...

December

Sat 02: Paula Jackman's Jazz Masters @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning. £25.00. Enrol at: www.jazz.coop.
Sat 02: Abbie Finn Trio @ Claypath Deli, Durham. 7:00pm.
Sat 02: Tenement Jazz Band @ John Marley Centre, Newcastle. Swing Tyne Winter Social. £8.00. + bf. Advance purchase only, no admission at the door. BYOB. Lindy hop workshop from 11:00am. £39.00.
Sat 02: Zoë Gilby Quartet @ The Masham, Hartburn Village, Stockton. 7:00pm. Feat. Noel Dennis.
Sat 02: Classic Swing @ The Nuthatch, 9 - 11 Bedford St, Middlesbrough TS1 2LL. 7:00-9:00pm. Classic Swing in trio format.
Sat 02: Paul Skerritt w. Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 02: Vermont Big Band @ Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet). Tickets available from WBFC’s Seahorse pub club house.
Sat 02: Milne-Glendinning Band @ Ponteland Social Club, Northumberland. 7:30pm. £18.00 (inc. stotties & soup supper). A fundraiser for Hexham Constituency Labour Party.
Sat 02: Durham Dynamics & Basement Jazz @ Kingsgate Bar & Café, Durham Students’ Union. 7:30pm. £5.00. (£4.50. concs.). ‘Fab & Festive’. A cappella & jazz. Abba, Mariah Carey & more.
Sat 02: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 02: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party night inc. buffet & special raffle. £3.00.
Sat 02: Groovetrain @ The Unionist Club, Laygate, South Shields. 9:00pm.

Sun 03: The Central Bar Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. The Central Bar Quartet plays Lou Donaldson’s Gravy Train. Featuring Jamie Toms.
Sun 03: Paul Skerritt @ Smith’s Arms, Carlton, Stockton-on-Tees. 7:00pm.
Sun 03: Johnny Hunter Quartet @ The Globe, Newcastle. 8:00pm.
Sun 03: Jam session @ The Schooner, Gateshead. 8:00pm. Free.

Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 04: Northern Monkey Brass Band @ People’s Kitchen, Bath Lane, Newcastle. From 5:30pm. On-street gig supporting the work of the People’s Kitchen charity. Wrap up warm! Donate!
Mon 04: Michael Young Trio w Lindsay Hannon @ The Engine Room, Sunderland. 7:00pm. Free.
Mon 04: James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £8.00.
Mon 04: Durham University Jazz Orchestra + Durham University Big Band @ Durham Castle DH1 3RW. 8:30pm. £6.00.; £5.00. concs; £4.00. DSM. ‘Jazzy Christmas’.

Tue 05: Customs House Big Band @ All Saints Church, Cleadon. 7:00pm. Concert in the church hall. BYOB.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Sid White. The best free show in town!

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 8:00pm. Free. Note later start time, concert performance (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free CANCELLED!
Thu 07: Vieux Carré Hot 4 @ Spanish City, Whitley Bay, Newcastle. 12 noon - 4:00pm. £26.00 (inc 3-course meal in in St Mary's Lighthouse Suite). SOLD OUT!
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm.Donations. Feat. Mark Sanders.
Thu 07: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00. Downstairs.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 08: Hayley's Little Big Band @ Woodland Village Hall, Bishop Auckland. 7:00pm. £12.00.
Fri 08: Sleep Suppressor + Redwell @ Head of Steam, Neville St., Newcastle. 8:00pm. £10.00. (£8.00. adv); £5.00. student.
Fri 08: Hot Club du Nord @ St Cuthbert's Church, Shadforth, Co. Durham.
Fri 08: Têtes de Pois + Nauta @ Cobalt Studios, Newcastle. 8:00pm. £12.00., £8.00.

Friday, December 04, 2015

Roly Veitch was right!

(By Dave Brownlow)
Responding to your recent re-blog of Roly Veitch’s conclusion that “the bass player is the most important member of the band” as a one-time bassist myself I can wholeheartedly agree! Roly’s comment set me thinking about some of the “greats” in jazz history and their bassists.
Tommy Potter was Charlie Parker’s first-choice bass player from 1947 – 51 for good reason. He had a light, bouncy, rhythmic tone - perfect for the Bebop Quintet Bird was developing then. Tommy’s sure-footed choice of notes helps listeners to know exactly ‘where you are’ in the chord sequence which must have given Charlie great confidence to launch into his Bird-Flights-Of-Fancy.
Ray Brown was a stalwart of Oscar Peterson’s Duos and Trios from 1949 – 1966 which provided a musical association of great benefit to both men. Ray had a formidable attack, a huge, rounded, sustained sound emanating from the centre or lower reaches of the bass soaring up into the cello registers in solos. His ‘time’ was rock solid – it needed to be to hold together Oscar’s at times break-neck playing within the group!
The great Bill Evans chose his bassists with care because he was looking for a musician who could be an “equal” in his conception of the piano trio in jazz. At the forefront was Scott La Faro whose association with Bill was tragically short. Scott’s sound was huge throughout all the bass range, his drive powerful and he took technique up to a new level. With the drummer, he was able to challenge the leader, and raise the tension in pieces, building up to resolution in dramatic ways.
Miles Davis’ long-time bass player was Paul Chambers who worked with the trumpeter through several of his career phases – namely The Quintets, The Gil Evans Projects and The Kind Of Blue Sextet. Paul’s playing was light toned, ‘springy’ and swinging and his note choice was more unusual because his bass-lines did not contain so many ‘root’ notes. As a result, the bass part was more free-flowing which made Paul one of the first players who could play competently within Miles’ idea of  using tunes based on modes, scales or one or two chords (i.e. So What).
Finally in this brief review of some of the “greats” and their bassists is Gary Peacock within the “Standards Trio” of Keith Jarrett. Gary had (and has) the most extravagant technical ability on the bass moving from strong ‘root’ notes into cello-like sorties into the upper reaches of harmony and indeed harmonics, taking risks even when just accompanying ! This constantly imaginative playing undoubtedly spurred on Jarrett to reach his more outrageous moments.
I believe these few examples from the history of jazz fully support Roly’s wise assertion!
Dave Brownlow

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