(Review by Russell/Photos courtesy of Ken Drew)
Take two: a second consecutive night at the Black Swan
for the most popular big band around. A second consecutive full house…quite an
achievement! The basement venue afforded the band the luxury of setting up
without having to squeeze brass, reeds and a rhythm section into the usual
small jazz venue with the dimensions of a telephone box. All seats were taken
half an hour before the start, latecomers stood to one side. Drinks orders were
of the ‘precariously-balanced tray snaking its way through the throng’ kind.
The management of Newcastle Arts Centre couldn’t be other than delighted. A
success every which way and MD Michael Lamb had yet to strike up the band!
Right on time the band hit the stage. We Three Kings proffered gifts; several
big-hitters announced their arrival – Gowland, Jedrzejewski, Toms, Summers. Ding Dong Merrily on High (spot the
seasonal theme) showcased the brass boys on a samba feel. The band boasts not
one but two singers. They stepped forward as climate-change deniers – Baby, It’s Cold Outside. A week before
Christmas and it was shirt-sleeve weather but Lindsay Hannon and F’reez did
their best to convince us otherwise! The luminescent Ms Hannon stayed on to
dream of a White Christmas and warn
of That Ole Devil Called Love.
The three part Film
Noir suite departed from the festive fayre to conclude the first set in
full-on jazz mode. Engrossing stuff with Keith ‘Strictly Smokin’’ Robinson on
alto.
The interval: an earlier global warming torrent had
pushed out over the North Sea as one or two gig goers and musicians took the
evening air. The thought occurred that down the lane Ms Ruth Lambert was
holding court alongside pianist Alan Law at the Jazz Café. A review by Kath J
to follow.
As with the first, the second set began right on time.
Altoist Robinson had all but stolen the show first set, Steve Summers (soprano)
set about staking a claim to the second set on Greta’s Groove, with more from Pav, guitar and Graham Don (piano).
F’reez – not heard to best effect due to being way down in the mix – upped-it
on Higher Ground. Had space permitted
dancers would have been on the floor. The luminescent Ms Hannon returned to
sing That Ole’ Black Magic, I’ve Got You Under My Skin and,
inevitably, Santa Baby. A Strictly
Smokin’ gig is always an occasion. Soloists pepper the sections – Kieran
Parnaby (trombone), bassist Michael Whent stepped up, the assured Pete Tanton
(trumpet/flugel), to name but three. This Black Swan two-nighter has become a
highlight in the calendar. A three-nighter in 2016 could be on the cards, or,
perhaps a Saturday matinee show could work, aimed at a younger (musician?)
audience. If MD Michael Lamb puts his mind to it you never know.
The Strictly Smokin’ Big Band is an unalloyed success
story: band management, on-time presentation, Guy Swinton’s excellent MC skills
(and a fine drummer, to boot), the boys in the rhythm section, all and sundry
make it the band it is. Your next opportunity to hear the Strictly Smokin’ is at
a post-Christmas dance (yes, dance) gig at Hoochie Coochie on Tuesday 29
December. 100% recommended.
Russell.
Michael Lamb (trumpet & MD), Pete Tanton, Gordon
Marshall, Dick Stacey (trumpets & flugelhorns); Kieran Parnaby, John Flood,
Mark Ferris, David Barnes (trombones); Paul Gowland, Jamie Toms, Steve Summers,
Keith Robinson, Laurie Rangecroft (reeds); Graham Don (piano), Pawel
Jedrzejewski (guitar), Michael Whent (bass), Guy Swinton (drums), Lindsay
Hannon (vocals) & F’reez (vocals)
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