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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Fred Rowe Funeral Arrangements

The funeral of well-respected and much-loved trumpet player Fred Rowe will take place on Wednesday, December 13 at 14:00 hrs: Lytham Crematorium (Regent Ave, Lytham Saint Annes FY8 4AB). Afterwards - All warmly welcome for refreshments at 2 Chapel Close, Wesham, Preston PR4 3HB.
No flowers by request donations to Parkinson's UK. Should you wish to donate to Parkinson’s research, please contact the Funeral Directors (J & A Porter Funeral Services, Windsor Court, Windsor Road, Ansdell, Lytham St Annes, Lancashire FY8 1AH. Tel: 01253735423) or place in a collection box that will be provided at the end of the service.
"Please do come along, we would love to see as many of Fred’s friends as possible" - Joan Rowe and family.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Monday December 11

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 13, 2015

Euan Burton Quartet @ The Globe - Dec. 12

Euan Burton (bass); Adam Jackson (alto); Tom Gibbs (piano); Alyn Cosker (dms).
(Review by Minnie Fraser/Photo courtesy of Steve Horowitz/Gavin).
The band arrived in good time despite the weather - apparently there was no snow in Glasgow. This was the last date of their UK tour which had seen them travel the length of the country from Aberdeen to Poole in Dorset. Sadly, a number of those who had been planning to attend were prevented by a heavy fall of snow. However, the audience who did make it were very appreciative.
Euan Burton, who played his amazing fold away double bass brilliantly, has assembled an excellent quartet. Tom Gibbs, seen recently with Brian Molley at the Globe, exemplary on piano, Adam Jackson, sublime on alto sax and Alyn Cosker provided precocious percussion at the kit.
Two sets of original music made all the more enjoyable by Euan's explanations of their meaning or what they were meant to evoke.

The Implication, a name greatly simplified after a reviewer had said the tune had the worst title they had ever heard of! Well, we don't have mean reviewers like that here, especially as we would like to welcome these guys back again sometime!  Who cares about the name anyway when the music is so amazing!  Cosker's drumming was incredibly skilful - using sticks, brushes, mallets and occasionally bare hands - producing a great variety of sound ranging from driving rhythms that dominated down to gentle stroking of snare and closed hi-hat in the quieter moments.
Jackson was exceptional on alto sax, displaying an incredible range of musical gymnastics, from smooth tuneful and gentle, to soaring runs and occasional staccato. Gibbs gave wonderful accompaniment on the piano, but his solos were well worth waiting for. Burton's excellent double bass underpinned all the music, but he really came into his own when soloing although he wasn't greedy in that respect despite having composer's prerogative.
The variety in Burton's compositions gave us a very entertaining evening. Six was a good example of variety in a single piece (this tune is called "six" because it is the sixth track on Burton's album "Occurrences").  This was introduced as a piece about being dumped and veering from angry hate to sad heartbreak. The moods in the piece were clearly identifiable in loud and dissonant anger resolving into tuneful contemplative quietness with mournful sax and piano accompanied by gentle bass and very quiet brushing on the drums.
Earlier in the set we were treated to Any Given Sunday a title inspired by the amount of good live music available on a Sunday in Glasgow. Burton then admitted that it was only the title that was this inspired and the music had nothing to do with that!  We soon forgave him when he said he would rename it Any Given Saturday and dedicated it to Jazz Coop at The Globe!
The Quartet finished the evening with South to evoke a place with a warm climate. This piece started off with a lovely bass and drums duet with Cosker making the most of his toms and cross-sticks. The piano and sax joined in tunefully with smooth melodies interspersed with staccato play/pause. This built up to a crescendo leading to an excellent drum solo using the whole kit where Cosker's sticks were a blur! Well-deserved applause finished the evening. CDs were in sale at the end and Burton said "Christmas is coming, what better present is there than a cd of progressive jazz by someone you have never heard of?"  
Well you have heard of him now!
Minnie.

2 comments :

Lance said...

Thanks Minnie, as one one of the 'weather wimps' please explain the 'fold away double bass.'

Minnie said...

I have never seen one before - he loosened the strings, slid something and disconnected the neck which was then stowed inside the body through a section of the back which lifts out. The leg at the bottom also went inside. He said it was the only way they could get everything into one car - which is important for all their travelling!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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