Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, December 10, 2015

Ruth Lambert Trio @ Brunswick Methodist Church – Dec 10

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass)
(Review by Russell)
The final concert of the year in Newcastle University’s weekly lunchtime concert series   featured the Ruth Lambert Trio. Unrivalled exponents of the Great American Songbook – vocalist Ruth Lambert, guitarist Giles Strong and Mick Shoulder (double bass) – in an oversubscribed market place of ‘jazz singer with accompaniment’, the regionally based trio with a national reputation entertained a large crowd at Brunswick Methodist Church.
The concert set of fifty minutes comprised a balanced selection of original compositions and much loved standards. The sound balance in the auditorium was exceptionally good resulting in absolute clarity of vocals and string instruments. Time After Time exuded the sense of time, taste and swing one has come to expect of the trio. All are songwriters and four of their tunes in succession held the audience spellbound as did more familiar fayre. Lambert’s A Love That Never Dies, Shoulder’s How Could I?, the Lambert and Shoulder dark tale Lullaby and Strong’s Everything Was Beautiful were given sensitive readings in the austere surroundings of a city centre Methodist chapel.
Love Me Like a Man (Strong’s restrained blues feel), Devil May Care (Lambert’s innate swing feel) and Love for Sale (Shoulder’s effective tapped-out open hand rhythms) made the whole thing look easy. If only! Master musicians were at work, the intimate songbook material magically reaching the jazz ‘congregation’ up in the gods. This being the time of year to be jolly (bah humbug!), Ms Lambert chose to close the concert with Santa Baby.  Written in 1926, your correspondent would happily hear Lambert sing the seasonal song every year for ever and ever! Dear Santa, I would like…
Russell.                    

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