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The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, December 10, 2015

Ruth Lambert Trio @ Brunswick Methodist Church – Dec 10

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass)
(Review by Russell)
The final concert of the year in Newcastle University’s weekly lunchtime concert series   featured the Ruth Lambert Trio. Unrivalled exponents of the Great American Songbook – vocalist Ruth Lambert, guitarist Giles Strong and Mick Shoulder (double bass) – in an oversubscribed market place of ‘jazz singer with accompaniment’, the regionally based trio with a national reputation entertained a large crowd at Brunswick Methodist Church.
The concert set of fifty minutes comprised a balanced selection of original compositions and much loved standards. The sound balance in the auditorium was exceptionally good resulting in absolute clarity of vocals and string instruments. Time After Time exuded the sense of time, taste and swing one has come to expect of the trio. All are songwriters and four of their tunes in succession held the audience spellbound as did more familiar fayre. Lambert’s A Love That Never Dies, Shoulder’s How Could I?, the Lambert and Shoulder dark tale Lullaby and Strong’s Everything Was Beautiful were given sensitive readings in the austere surroundings of a city centre Methodist chapel.
Love Me Like a Man (Strong’s restrained blues feel), Devil May Care (Lambert’s innate swing feel) and Love for Sale (Shoulder’s effective tapped-out open hand rhythms) made the whole thing look easy. If only! Master musicians were at work, the intimate songbook material magically reaching the jazz ‘congregation’ up in the gods. This being the time of year to be jolly (bah humbug!), Ms Lambert chose to close the concert with Santa Baby.  Written in 1926, your correspondent would happily hear Lambert sing the seasonal song every year for ever and ever! Dear Santa, I would like…
Russell.                    

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