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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14836 (and counting) posts since we started blogging 14 years ago. 1085 of them this year alone and, so far, 84 this month (Nov.28).

From This Moment On ...

November

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Helen Walker (French horn/trumpet) & Caroline Guirr (piano) @ St. Andrew's Church, Corbridge. 2:00pm. Duo concert by two members of 'The Wild Women of Wylam'. Part of the annual Christmas Tree Festival.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wednesday, December 09, 2015

Bradley Johnston @ Sage Gateshead – Dec 8

(Review by Russell)
Future Grooves (BMus Assessments) at Sage Gateshead – futures determined. Rewind a few years to Blaydon Jazz Club: lecturer James Birkett arrives with a shy teenage guitar player. During the interval they play a couple of tunes together as a guitar duo. The rest, as they say, is history. Bradley Johnston went on to play many gigs and record an album with mentor Dr Birkett, more than hold his own at high calibre jam sessions and find the time to form his own quartet amidst his music degree studies. Last night Johnston kept a most important appointment…
Future Grooves (2015’s degree course student performances at Sage Gateshead) included several final year examinees. Bradley Johnston was one of them. Sage Two, the intimate, multi-tiered cockpit-like performance space, welcomed Johnston to the stage with a huge round of applause. Solo, duo, trio, quartet and horn-augmented octet, BJ had clearly been thinking about his set and how best to present it.
A solo piece to begin the set leading off with Alfie, Johnston in a multi-layered spotlight, alone, the man and his acoustic guitar. BJ invited the engaging Belinda Voshtina to sing a number with him. Switching from acoustic to lightly amplified electric, Johnston recalled the great Joe Pass in his accompaniment of Voshtina on Take Love Easy (a magical never to be forgotten moment). Bassist Paul Grainger and drummer Tim Johnston made it a trio on All the Things You Are and pianist Peter Gilligan completed the quartet (seated at Sage Two’s Steinway) on Michel Petrucciani’s Looking Up (BJ in his element, ideas flowing). To conclude the examination the Lickety Split horn section strolled onto stage – Messrs. Bellis, Eland, Gowland and Marshall. Johnston thanked all of the musicians for giving of their services and said he had to go out with a Pat Metheny number. The American guitar hero has been a major influence and BJ tore it up on See the World. ‘See the World’? It’s as sure as night follows day that Bradley Johnston and his guitar will see the world many times over.               
Bradley Johnston (guitar) with Peter Gilligan (piano), Paul Grainger (double bass), Tim Johnston (drums), Belinda Voshtina (vocals) & the Lickety Split Horns: Eddie Bellis (trombone), Kevin Eland (trumpet), Paul Gowland (tenor saxophone) & Alan Marshall (alto saxophone)
Earlier, several other students gave of their best in front of the assessors and a supportive audience. The performances were for the most part non-jazz sets incorporating familiar rock and pop tunes. Phil Richardson sang and played no fewer than three guitars with his band of student friends. Here Comes the Sun, Lovely Day – hit tunes long before the young man was born! Jack Simpson and the Gastric Band presented a powerful set of guitar and vocals, again focusing on well-known numbers from a previous era: Fleetwood Mac, The Police, Cream. Simpson chose to play a solo acoustic guitar and vocals piece written by Lindsay Buckingham and delivered a positive Message in a Bottle to the three examiners. Cream’s White Room and Badge confirmed Simpson’s blues-rockin’ abilities. Was he aware of the legend that White Room had been written late at night in the waiting room at Newcastle Central Station as Eric, Jack and Ginger were booked onto a midnight train heading south (possibly after a gig at the Club A-Gogo)? Simpson’s bass and drums – Steven Hall and Michael Mather – gave sterling support.
Steph Old offered something different. A vocalist, with Gary Spalding accompanying on guitar, later to be joined by a second voice and a percussionist, Old opted for a more up to date programme. Unashamedly ‘pop’, Old’s voice (sore throat not withstanding), soulful, assured, breezed through Boyzone to Jesse J. Student Johnny Roxburgh acted as MC for the evening. An easy, saloon bar charm – Bobby Darin meets Bobby Darin! – belied his age (twenteen) and the fact that later he too was to give his finals’ performance! The t-shirted Roxborough took the opportunity during an interval break to don a three piece – his band members played the game, all suited for the occasion – and emerged as Johnny Roxburgh and the Pirates. Feelin’ Good (the Newley-Bricusse number given the to-be-expected big band horn arrangement), Straighten Up and Fly Right, a finger snapping Moon Dance, a strong vocal treatment of Sophisticated Lady with the accompaniment of Phil Richardson (acoustic guitar) Roxburgh produced a most entertaining performance. The man can sing! There is more than one big band in the region which could do worse than snap up his services. For the record: first year bassist Steven Hall worked in several of the bands – one to watch. And two of the ‘pirates’ are well known on the jazz scene – tenor man Johnny ‘Blue Hat’ Davis and ‘bone man David Gray.
Future Grooves continues Wednesday and Thursday at Sage Gateshead. Admission free but ticketed, check the venue’s website: www.sagegateshead.com
Russell.

2 comments :

Unknown said...

Great review Russell. BJ set sounds as if it is an I was there moment

Unknown said...

Thanks for your kind words Russell, it was our pleasure. See you soon!
Believe!

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