The Glenn Miller Orchestra (Ray McVay, MD) @ Sage Gateshead – Dec 29

(Review by Russell).

The UK Glenn Miller Orchestra directed by Ray McVay returned to Sage Gateshead to play a sold out matinee show. All 1700 seats occupied a matter of days after Christmas was a sure sign of the band’s popularity and, of course, the enduring popularity of their raison d’êtré – Major Glenn Miller.

The tunes, largely associated with Miller, together with a smattering of other numbers, were instantly recognisable, such was, and is, the popular entertainment status of Miller. Caribbean Clipper, I Got a Gal in Kalamazoo, Jumpin’ at the Woodside, number after number, the audience knew them all. The focal point of the performance shifted from a vocalist to a vocalist, to a vocal troupe to a dance troupe. Catherine Sykes, a graduate of Leeds College of Music, shared the spotlight with veteran Colin Anthony. Sykes sang All of Me, Anthony A Nightingale Sang in Berkeley Square. Class performers fronting a big band, they vacated the stage returning from time to time to sing some more favourites.

The Uptown Hall Gang, the band within a band originally created by Mel Powell after Miller's disappearance, played some small group swing, sang a tune or two, and the Jiving Lindy Hoppers bounced onto the stage to inject some vim and pep to proceedings. They had the jive, Jack, and they gave the boys in the band an opportunity to have a blow.    

American Patrol – this was the AAF stuff – and Minnie the Moocher (Alan Berlyn blew trumpet out front), then String of Pearls, then When Johnny Comes Marchin’ Home. The realisation that this was a genuine ‘greatest hits’ affair struck home. MD Ray McVay – a Miller enthusiast if ever there was one – frequently introduced numbers with ‘Another million selling number…’ Second set, more of the same, and no one was complaining! St Louis Blues March, Chattanooga Choo Choo (featuring the Moonlight Serenaders), then some jazz, yes jazz, with Jersey Bounce and the excellent dance steps of the Jiving Lindy Hoppers.

Moonlight Serenade…cheers rang to the echo (‘Aye, when I was a lad…’). And then for something completely different…Colin Anthony paid tribute to Sinatra. Ah, this was an unexpected bonus. A medley comprising classic 50s material (Come Fly with Me) and a great take on New York, New York (perhaps not Ol’ Blue Eyes’ favourite) heard McVay’s band at its best behind the saloon bar vocal ‘These little town blues…’

There was more. Pennsylvania 65000 (inevitably), then Runnin’ Wild with guess who? The Jiving Lindy Hoppers, of course! Two and a half hours of music, Sage Gateshead’s audience went home happy, very happy. In the Mood sent them on their way. So, an entertaining afternoon, a trip down memory lane for those who were there first time around, and, for the jazz heads, an education.        

Russell

Ray McVay (MD), Colin Anthony (vocals), Catherine Sykes (vocals), Andy Potts (alto saxophone), Simon Meredith (alto saxophone), Martin Dunsdon (tenor saxophone), Dan Faulkner (tenor saxophone), Loren Hignell (baritone & alto saxophone), Dave Ford (trumpet), Alan Berlyn (trumpet), Danny Hammerton (trumpet), John Hinch (trumpet), Dale Gibson Jnr (trombone), Ray Wordsworth (trombone), Cliff Hardie (trombone), Bruce Douglas (bass trombone), Bunny Thompson (piano), Paul Scott (double bass) & Bobby Cleall (drums); the Moonlight Serenaders; Uptown Hall Gang & the Jiving Lindy Hoppers