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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, December 30, 2015

The Glenn Miller Orchestra (Ray McVay, MD) @ Sage Gateshead – Dec 29

(Review by Russell).
The UK Glenn Miller Orchestra directed by Ray McVay returned to Sage Gateshead to play a sold out matinee show. All 1700 seats occupied a matter of days after Christmas was a sure sign of the band’s popularity and, of course, the enduring popularity of their raison d’êtré – Major Glenn Miller.
The tunes, largely associated with Miller, together with a smattering of other numbers, were instantly recognisable, such was, and is, the popular entertainment status of Miller. Caribbean Clipper, I Got a Gal in Kalamazoo, Jumpin’ at the Woodside, number after number, the audience knew them all. The focal point of the performance shifted from a vocalist to a vocalist, to a vocal troupe to a dance troupe. Catherine Sykes, a graduate of Leeds College of Music, shared the spotlight with veteran Colin Anthony. Sykes sang All of Me, Anthony A Nightingale Sang in Berkeley Square. Class performers fronting a big band, they vacated the stage returning from time to time to sing some more favourites.
The Uptown Hall Gang, the band within a band originally created by Mel Powell after Miller's disappearance, played some small group swing, sang a tune or two, and the Jiving Lindy Hoppers bounced onto the stage to inject some vim and pep to proceedings. They had the jive, Jack, and they gave the boys in the band an opportunity to have a blow.    
American Patrol – this was the AAF stuff – and Minnie the Moocher (Alan Berlyn blew trumpet out front), then String of Pearls, then When Johnny Comes Marchin’ Home. The realisation that this was a genuine ‘greatest hits’ affair struck home. MD Ray McVay – a Miller enthusiast if ever there was one – frequently introduced numbers with ‘Another million selling number…’ Second set, more of the same, and no one was complaining! St Louis Blues March, Chattanooga Choo Choo (featuring the Moonlight Serenaders), then some jazz, yes jazz, with Jersey Bounce and the excellent dance steps of the Jiving Lindy Hoppers.
Moonlight Serenade…cheers rang to the echo (‘Aye, when I was a lad…’). And then for something completely different…Colin Anthony paid tribute to Sinatra. Ah, this was an unexpected bonus. A medley comprising classic 50s material (Come Fly with Me) and a great take on New York, New York (perhaps not Ol’ Blue Eyes’ favourite) heard McVay’s band at its best behind the saloon bar vocal ‘These little town blues…
There was more. Pennsylvania 65000 (inevitably), then Runnin’ Wild with guess who? The Jiving Lindy Hoppers, of course! Two and a half hours of music, Sage Gateshead’s audience went home happy, very happy. In the Mood sent them on their way. So, an entertaining afternoon, a trip down memory lane for those who were there first time around, and, for the jazz heads, an education.        
Russell
Ray McVay (MD), Colin Anthony (vocals), Catherine Sykes (vocals), Andy Potts (alto saxophone), Simon Meredith (alto saxophone), Martin Dunsdon (tenor saxophone), Dan Faulkner (tenor saxophone), Loren Hignell (baritone & alto saxophone), Dave Ford (trumpet), Alan Berlyn (trumpet), Danny Hammerton (trumpet), John Hinch (trumpet), Dale Gibson Jnr (trombone), Ray Wordsworth (trombone), Cliff Hardie (trombone), Bruce Douglas (bass trombone), Bunny Thompson (piano), Paul Scott (double bass) & Bobby Cleall (drums); the Moonlight Serenaders; Uptown Hall Gang & the Jiving Lindy Hoppers

1 comment :

Liz said...

times like this when I wish I lived up there, good review Russell

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance